Yes, “sup”. That’s what I’ve chosen to title this post.
Sorry this post took so long! Schoolwork has been ramping up this semester, so don’t rule out the possibility of me continuing to be slow.
It’s so weird to process that John completed his planet quest at long last.
The Pipeorgankind flash is followed by a callback to the Myststuck games, with John exploring his newly cleared planet that he warped into the middle of nowhere. The fireflies are no longer confined by the fourth wall and now fly about through the screen’s space, which is quite a charming sight.
All the old setpieces from LOWAS, like the Parcel Pyxis and the salamander village, are still there, which must be a strangely nostalgic sight for John. Not an unwelcome one, though, because he still has plenty more adventures to go through.
Featuring the long-awaited return of the eggy looking thing.
I hope you enjoyed this brief mass influx of Homestuck posts. Classes are resuming online on Tuesday for me, which means that until late April or early May I’ll probably be releasing posts at a rate no faster than weekly.
Returning to the three-way selection screen, I’m going to first select Dave’s planet on the left, then Rose’s planet on the right.
Dave’s part of the selection screen features him exploring his childhood bedroom for the first time in three years, in a memorable scene that the author clearly had WAY too much fun writing.
I think this is somehow my first time ever naming a post after a Karkat line????
Also, yay for new Homestuck posts three days in a row.
I’ve been bored out of my mind the past few weeks and it probably shows with the ridiculous amount of content I’ve been outputting lately. Enjoy this post during this stream of rapid activity, which might continue even after the spring semester resumes due to staying at home all day.
Act 6 Act 6 Intermission 1 of Homestuck, or A6A6I1 for short, begins with a dramatic flash that does insanely cool things with Homestuck’s website (which was preserved on the move away from Flash!!!!!). The flash uses a song called “Gold Pilot” which is a HUGE fan favorite among the comic’s soundtrack (and honestly a little overrated in my opinion), in a way that interestingly matches with the song’s original intent as a theme for Becquerel instead of the Psiioniic or however I’m supposed to spell it, and features Grimbark Jade piloting the trolls’ meteor into a Reckoning portal so she can do cool plot stuff.
Pages 6111-6242 (I think I’m going to stop listing the MSPA page numbers, just makes it more cluttered and I already forgot to do so the last few posts)
Act 6 Intermission 5, Part 5 of 5
John’s triumphant face represents me finishing my posts for part 3 of Homestuck.
I’m officially putting my Homestuck post series back in the swing of things once again! The reason why has to do with two circumstances: (1) the coronavirus pandemic that’s affecting the entire world and causing so much to go on lockdown and forcing everyone to be homest-*gets shot* and (2) me finishing a musical project and getting burnt out on making musical stuff, which led me to get back into this project that isn’t about making music. The first 40% or so of this post I wrote back in January of this year, but the rest I wrote just yesterday over the course of a few hours because I was kind of bored. Right now I’m in an extended spring break, and the rest of this spring semester will be all online classes which is still difficult for me to even process.
Anyway, now that I’m done with Part 3 of Homestuck (A6A1 to A6I5), I’m going to roughly list out my plans for Part 4 of Homestuck:
A6A6A1: 1 post
A6A6I1: 5 posts
A6A6A2: 1 post
A6A6I2: 4 posts
most of the rest of A6A6: up in the air
[S] Collide and following pages: 1 post
Act 7 and credits: 1 post
I’ll also go ahead and confess that I’m really, really looking forward to covering a certain part of A6A6I1 that introduces us to a certain token heterosexual romance (John/Roxy if it wasn’t obvious). I’m very glad I didn’t get to that part before the epilogues dropped.
I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE I HATE PUPPET PEOPLE.
Act 6 Intermission 5 Intermission 5 starts off with a humorous callback to a memorable scene from the Midnight Crew intermission, where Hearts Boxcars was swamped with clones of Eggs and Biscuits (which is how he ended up spending the majority of the intermission). It’s also a humorous way to demonstrate Caliborn’s ever-changing names for the Felt’s species.
Act 6 Intermission 5, Part 4 of 5 (probably not 6)
I’ll only split Act 6 Intermission 5 into six parts if I feel I absolutely have to, like if the next post becomes insanely huge. Really don’t want to ruin my Pitbull pun from my last post.
This is my first Homestuck post of 2020!!! As I’ve said on Twitter, I intend on releasing posts regularly (on my usual once to twice a week basis) throughout at least the first half of the year, and boy am I excited to get back in the swing of things. I’ve estimated that I’ll reach Caliborn’s Masterpiece (a significant landmark point) in May or June, which means I’ll be able to make lots of progress on my Homestuck posts this year. And if I get bored of those, maybe I’ll even resume my rewritten post series.
KANAYA: … KANAYA: … KANAYA: … KANAYA: … KANAYA: …
Picking up from where we left off, we’re about to see what everyone’s favorite lesbian couple is up to in the meteor.
Next post is the trickster arc. I am so fucking sorry in advance.
But who knows? Maybe it isn’t that bad. I’ll see for myself.
October 1, 2019 is the day I will migrate my entire blog to a custom web domain! Currently figuring out the details of how I will do that. Also, there will be no Homestuck post next week because I have two big school assignments due a week from now.
Jake answers Caliborn, who wants to have an earnest gentlemanly conversation with him. uu: FEMALES ARE NOT BIOLOGICALLY EQUIPPED TO BEHAVE REASONABLY. AS PROVEN BEYOND A SHADOW OF A DOUBT. BY EMPIRICAL ASSERTION. uu: THEY ARE VERY SHRILL AND INSANE AND DON’T MAKE ANY SENSE. THEIR EMOTIONS ARE OUT OF CONTROL AND THEIR FEELINGS NEVER SHUT UP. uu: AND WORST OF ALL. GIRLS ARE VERY TRENCHANT TOWARD BOYS WHO WOULD KINDLY INFORM THEM OF THE WAY REALITY FUCKING WORKS. uu: TALK ABOUT UNGRATEFUL. NO. THERE IS NOTHING WORTHWHILE TO BE GAINED. FROM CHATTING UP THE BITCHES. uu: AS SUCH. IT IS MY SOLEMN BOYPLEDGE. THAT I WILL NEVER BOTHER SPEAKING WITH YOUR FOUL HUMAN STRUMPETS AGAIN. Caliborn’s sexism never fails to crack me up. It’s just so much funnier than it has any reason to be.
Jake goes on a walk through the Land of Hills and Stone Henges as he talks to Caliborn, which gives us some nice scenery. uu: THROUGH CAREFUL OBSERVATION OF YOUR PARTY. I HAVE DETERMINED THEY ARE BOTH USELESS. AND HOLDING YOU ALL BACK. uu: ON THE OTHER HAND. BOTH OF YOUR MALE PLAYERS ARE PRETTY GOOD. THE OTHER GUY, AND HIS RED FLOATING MALE GHOST? THEY’RE SO STRONG. IT’S SO GREAT. uu: I REALLY RESPECT THAT. GT: Yeah. Dirk is a pretty tough cookie alright… uu: YOU’RE NOT AS STRONG. BUT WHATEVER. YOU’RE ALRIGHT ANYWAY. uu: LET’S FACE IT. COMPARED TO THE FECKLESS HOES. YOU’RE IN A CLASS OF YOUR OWN. GT: But i thought you hated me! GT: At least thats how i remember it when we last talked. GT: Which was admittedly a while ago. GT: Ive never been accused of having a photographic memory but i dont recall you typing in green either. GT: Are you ripping me off bro?? uu: NO YOU FUCKING MORON. uu: IF I STOOPED TO YOUR LEVEL. AND DECIDED TO JACK *ANY* PORTION OF YOUR SWAGGER. uu: DON’T YOU THINK. YOU’D NEED TO EARN MY RESPECT FIRST??? Foreshadowing, am I right??? For some reason, I never realized until writing these blog posts how much the events of Caliborn’s Masterpiece had been foreshadowed. GT: I dont think I understand. uu: YES. EXACTLY. uu: UNDERSTANDING IS WHAT I NOTICE YOU DON’T DO. AS OFTEN AS POSSIBLE. uu: THIS IS WHAT I’M TALKING ABOUT JAKE. uu: IT IS WHY I HAVE TAKEN AN INTEREST IN YOU. GT: Whys that? uu: BECAUSE YOU’RE DUMB AS A BAG OF TEETH. uu: I’VE CHECKED YOU OUT. FROM MANY DIFFERENT MONITORS. uu: YOU ARE JUST. SPECTACULARLY UNINTELLIGENT. GT: Hey! uu: SETTLE DOWN. I WAS TRYING TO PAY YOU A COMPLIMENT. GT: Oh. Whoops. GT: Go on then. uu: WHILE TO CASUAL OBSERVERS YOU MIGHT APPEAR. TOO STUPID TO KNOW HOW FAR PANTS ARE SUPPOSED TO GO DOWN YOUR LEGS. uu: I KNOW THAT IT’S QUITE POSSIBLE. YOU ARE JUST MISUNDERSTOOD. uu: IT IS POSSIBLE THAT YOU JUST HAVE A SPECIAL MIND. uu: LIKE ME. Caliborn is going through character development as we speak. He’s an absolute master at progressing in life in a different way from how most people do, and his thoughts on Jake are a good example: he doesn’t get over his stereotypes about the alpha kids, but rather works with his stereotypes. Caliborn still thinks Jake is less intelligent than the other alpha kids, but now knows it’s natural for someone with such hidden potential to come off that way at first. He knows this by comparing Jake with himself, which would not be possible if he didn’t have such an overinflated ego. GT: You think so? GT: Not to sound too self obsessed or anything but ive given that some thought. GT: That maybe there is something special about me that nobody can understand. And maybe thats why i always seem to be botching things up the wazoo with my pals. GT: Maybe thats why i feel like such a loner. I dunno. Im rambling and ive been thinking about it a lot lately. What about you? Jake has the weirdest possible choices for who to confess his inner insecurities to: first Erisolsprite, and now Caliborn. He freely trusts the most vile and trollish people imaginable, like John but even worse. GT: Does being special make you screw the pooch with your friends like it does for me? uu: UGH. NO. I DON’T HAVE ANY FRIENDS. uu: FOR MY PEOPLE. THE WORD FOR FRIENDS. IS FLAWS. This is totally something a troll would have said in the early acts. I’ve said before that Caliborn is a lot like how the trolls were first portrayed with all the over-the-top edginess, most especially Karkat. GT: Wow really? uu: PROBABLY NOT? BUT. IT SHOULD BE. uu: BECAUSE IT’S TRUE. AS A MATTER OF MY PERFECT PHILOSOPHY ABOUT EVERYTHING. This is totally the opposite of something Karkat would say. He and Caliborn are on complete opposite ends in the humility scale, which is their main difference. uu: BUT THE FACT THAT YOU CLEARLY HATE YOUR FRIENDS. AND ARE READY TO SHED THEM LIKE THE DRY SKIN OF A SERPENT. uu: INDICATES THAT WE SHARE A VERY SPECIAL QUALITY AMONG BROTHERLY BROS. WHO MUST WORK HARDER WITH OUR BRAINS THAN EVERYONE ELSE. uu: SO WE MAY ACHIEVE BRUTAL SUPREMACY OVER THEM ALL. This bit reminds me of Karkat’s first ever conversation with a human, where he hit on John spadeways because he thought they were cosmically connected. I suppose that’s another thing Karkat and Caliborn have in common: they both like to base relationships upon cosmic connections. Calliope is all about cosmic connections too, which makes sense because she and Caliborn also have a lot in common. GT: Haha. Well i wouldnt go that far. I love my friends! GT: But i was once told i had a lot of potential. GT: Supposedly thats how all pages are and it takes them for frickin EVER to reach it. GT: And funnily enough it was a figment of my own subconscious that told me this. A part of my untapped potential itself! But disguised as my best bro which was… GT: Peculiar to say the least. GT: Is that your situation? Are you a page too? uu: HAHAHAHAHAHAHAHAHA! uu: HELL NO. BUT THANKS FOR THE LAUGH. uu: MY CLASS IS SO MUCH BETTER THAN YOURS. IT’S NOT EVEN FUNNY. EVEN THOUGH I JUST LAUGHED. uu: MINE IS THE BEST OF ALL. WHILE YOURS IS FUCKING TRASH. GT: Oh? Whats yours then? uu: LORD. GT: Fine then jeez. GT: Sorry for asking! uu: WHAT? uu: NO. uu: THAT WAS NOT A SHORT REMARK OF FRUSTRATION. uu: IT WAS THE ANSWER DUMBASS. GT: Oh. uu: IT’S THE MASTER CLASS. uu: DON’T YOU LOSERS DO ANY HOMEWORK ON THIS GAME. uu: YOU’D THINK YOU WOULD ALL BE EXPERTS. WITH HOW MUCH MY SISTER HARANGUED YOU ON THIS TEDIOUS SHIT. Caliborn raises a good point about the alpha kids’ game. I can think of two explanations why aren’t supreme Sburb experts: (1) Calliope carefully distributed details to avoid causal spoilers, or (2) Gamzee’s redactions made her not know as much as she otherwise would have. It’s probably motherfuckin’ both things. uu: SINCE I HAVE HAD GREAT SUCCESS SO FAR. IN PROGRESSING THROUGH THIS DEAD SESSION. I DECIDED. IT WAS TIME TO BITE THAT BULLET. uu: AND RETURN HOME. TO RETRIEVE ALL OF HER TERRIBLE TEXTS ON THE SUBJECT OF THIS GAME. AND OF YOUR STORY. uu: I HAVE PORED OVER EVERY NAUSEATING VERSE. IT HAS BEEN A TRUE EXERCISE IN AGONY. FEW COULD POSSIBLY UNDERSTAND MY SUFFERING. Caliborn going back to the trolls’ meteor to reread Calliope’s texts is analogous to a tsundere Homestuck fan rereading the comic and reluctantly not skipping the pesterlogs, so that when they’re done with the reread they understand the comic a lot better. uu: BUT THAT’S OK. uu: BECAUSE I’M NOT THE IDIOT KID I USED TO BE. NOW I KNOW. THAT WHAT IT TAKES FOR ME TO LEARN AND GROW STRONGER. uu: IS EXCRUCIATING EFFORT. uu: SO I HAVE A CHOICE. WHICH IS TO EITHER BE WEAK. uu: WHEN WEAKNESS IS COMPLETELY UNACCEPTABLE. uu: OR TO SUFFER. FOREVER. UNTIL NO ONE ELSE EXISTS. uu: WHO IS STRONGER THAN ME. More character development! Caliborn recognizes that sometimes one must go through some suffering to achieve their full potential, which he’s been doing both to become an invincible time-traveling demon and to become a groundbreaking artist. If you read Homestuck the right way, every word of Caliborn’s ego-stroking becomes wise artistic advice. uu: AND THAT’S YOUR CHOICE TOO. uu: PAGE HUMAN ENGLISH. GT: Sakes alive. GT: That is a bit extreme no? uu: FOR YOU. PROBABLY EVEN MORE SO. uu: BECAUSE AS A LOWLY PAGE. AND AS AN EVEN LOWLIER HUMAN. YOU ARE UTTERLY WORTHLESS. uu: AND SO YOUR TRIALS I BELIEVE MUST INCLUDE. PROVING TO PARADOX SPACE THAT YOU EVEN DESERVE TO EXIST. IN THE FIRST PLACE. uu: AND WHILE MY TRIALS WILL BE SIMILARLY GRUELING. A LORD’S WORTHINESS IS AT NO POINT EVER IN DOUBT. uu: HIS NOBILITY IS MANIFEST. SUPREME MASTERY WAITS FOR HIM PATIENTLY. LIKE AN EMPTY THRONE UNDER HEAVY GUARD. uu: REALITY ALREADY KNOWS I WILL PREVAIL. JUST AS IT KNEW I WOULD PREDOMINATE. uu: AND SO INEVITABILITY IS ALWAYS ON MY SIDE. uu: IT IS MY. WHAT DO YOU CALL IT. uu: BORTHRIGHT? uu: BORTHRIGHT. GT: I dont think thats a word. GT: But hey you are the lord and i am the lowly page. uu: DAMN STRAIGHT. uu: NEVER FORGET WHO YOU ARE MEANT TO SERVE. This is just a longer way for Caliborn to reiterate Lord English’s arc words, “he is already here”.
The scenery of Jake walking through a Stonehenge is really cool. It’s kind of crazy seeing this guy walking alone dressed in such a skimpy outfit—shows how much he’s awkwardly tiptoeing around his relationship with Dirk. GT: Now just a minute buddy. Lets not get carried away. GT: I have no intention of serving you. In fact im not even sure why im still talking to you! GT: Youre lucky that my manners are impeccable otherwise i would have blocked you already, what with the scandalous way you have characterized my ladyfriends alone. GT: Its all well and good you think we have some things in common but i wont fall for it! GT: Maybe its true at times i can be a little slow on the uptake but i will not be sweet talked into doing the bidding for a silver tongued cur!!! GT: So to you sir lord i must say GOOD DAY. uu: JAKE. uu: YOU STUPID SHIT. uu: HOW CAN YOU BE THIS DUMB. uu: ALRIGHT. FIRST OF ALL. MY TONGUE IS NOT SILVER. THAT’S VERY CLOSE TO BEING INSULTING TO ME. I LOVE it whenever Caliborn or Calliope subtly references cherub biology. It’s always way funnier than it should be, especially that one scene where Calliope giggles thinking about giant snake monsters. GT: Whatever! Look i know you are not the most quickwitted fella either, so i must inform you this is what we call a “figure of speech.” GT: You know. Like if i said you speak with a forked tongue. Not unlike LUCIFER HIMSELF!!! uu: BUT. I ACTUALLY DO HAVE A FORKED TONGUE. GT: Oh… GT: Really? uu: WAIT IS THAT SERIOUSLY AN INSULT IN YOUR CULTURE? HOW IS THAT INSULTING?? GT: It just means you arent trustworthy, and i should not be lulled by your false promises. uu: WOW. OK. WOW. uu: FIRST. NOT ONLY ARE YOU AN IMBECILE. YOU’RE A FUCKING RACIST TOO. GT: No im not! uu: JAKE. YOU JUST SAID SOME RACIST SHIT. END OF STORY. Man, it’s a good thing racism between species never amounts to more than one-off jokes in Homestuck. It sure would suck if species discrimination and stereotyping was ever taken as more of a serious subject… (The joke is that the epilogues make species discrimination a VERY serious subject, which is actually a good way to make Jane a more interesting character, being the sheltered rich kid and all.) uu: SECOND OF ALL. I’M NOT ASKING YOU FOR A DAMN THING. uu: AS IF YOU HAVE ANYTHING TO OFFER ME AT ALL. uu: THE VERY IDEA THAT YOU COULD IN ANY WAY IMPROVE MY EXISTENCE. IS ALMOST AS OFFENSIVE AS. YOUR FLAGRANT RACISM. uu: THERE’S NO “DEAL WITH THE DEVIL” BULLSHIT GOING ON HERE. uu: I’M OFFERING TO HELP YOU. STRICTLY AS A PRO BONO ARRANGEMENT. uu: MY ASSISTANCE WILL BE. AN UNCONDITIONAL ACT OF BENEVIOLENCE. GT: Dont you mean benevolence? uu: NO. GT: Um. Ok then. GT: But why do you want to help me? GT: Is it really just because you relate to me and therefore want me to succeed? !!!!!!!!!!! NEW FACT ABOUT CALIBORN I SOMEHOW NEVER REALIZED Though Caliborn’s “favorite character” among the alpha kids is Dirk, his “most relatable character” is Jake, which puts a new layer of humor on his renaming to Lord English. I find the discrepancy between Caliborn’s favorite and most relatable characters interesting because for many people, their favorite characters are the ones they relate to the most—it is absolutely this way for me, which is why John has always been my favorite character.* I relate to Caliborn in that he often relates to thick-headed characters, which makes sense because if you relate to John, then you probably also relate to Jake. Favorite characters being the toughest ones (in Caliborn’s case, Dirk) is something I do not have in common with Caliborn. * Well, favorite character depending on my mood. Caliborn is so goddamn good he makes an exception. Caliborn then offers Jake a phone wallpaper:
He still has a ways to go before becoming a good artist, but he’s WAY better now than he was in Act 6 Act 3. It’s incredibly endearing to see him gradually improve in artistic skill. uu: APPLY THE WALLPAPER THIS FUCKING INSTANT YOU CRETINOUS PHILISTINE. OR THE DEAL’S OFF. GT: Ok fine! GT: Gad freaking zooks. Just what i need another pushy bro in my life. GT: This secret training of yours better be worth it! uu: IT’S NOT TRAINING. uu: IT’S JUST SOME GUIDANCE FROM A FAR AWAY ALIEN. uu: I WILL BE YOUR PATRON TROLL. THAT’S LIKE THIS WHOLE THING IN YOUR STORY. HAVING A PATRON TROLL. GT: But i thought you werent a troll. uu: OF COURSE I’M NOT A TROLL. TROLLS ARE A KIND OF PESTILENT VERMIN AND THEY SHOULD ALL SUFFER AND DIE. uu: “PATRON TROLL” IS JUST A PHRASE TO HELP YOU UNDERSTAND. Now that Caliborn has (metaphorically) reread Homestuck, he’s much better at grasping concepts from the story and even applies them in an earnest attempt to help Jake understand what he’s talking about. GT: Its not helping me understand though. GT: Shoudlnt you be a patron cherub if anything? uu: NO. GOD. DON’T MAKE UP TERMS FOR WHAT I AM. I WILL DO THAT. uu: I WILL JUST BE YOUR PATRON DUDE. uu: OR MAYBE. YOUR PATRON MANBRO. GT: Sounds pretty gay. uu: WHAT THE HELL IS THAT? GT: Whats what? uu: GAY. WHAT’S GAY YOU IDIOT FUCK. GT: Oh right. GT: Forgive me i forget you arent familiar with all of my earth lingo. GT: Its like… GT: How do i explain. GT: You know. Its a rather old fashioned term for being jolly and festive together. GT: Like “that rollicking time we had scrumming the other eve sure was gay.” uu: I SEE. uu: THEN YES. YOU ARE CORRECT. uu: THIS IS GOING TO BE GAY AS HELL. Having held a decent-length conversation with Caliborn, Jake lets his inner Egbertian prankster shine and gives Caliborn the outdated definition of “gay” just like how John would sometimes incorrectly describe human concepts to troll Karkat. Or at least, that’s how I read this scene. I don’t think Jake is that old-fashioned.
Note Erisolsprite flipping the bird in the background.
uu: AS A LORD OF TIME. I THINK I’M GOING TO MASTER TIME. NOT WITH MY BRAIN. WHICH WOULD BE TOO HARD. BUT WITH MY INSTINCTS. uu: LIKE IN A WAY THAT WORKS WITH MY NATURAL IMPULSES. SUCH AS MY AMBITION. MY WILL TO COMMIT MAYHEM. MY DESIRE TO PUNISH THOSE I DESPISE. uu: SO IF I WANT YOU TO BECOME STRONG. SO YOU CAN CHALLENGE ME LATER. AND I SEE EVIDENCE. THAT YOU PROBABLY BECOME SUCCESSFUL. uu: I THINK TO MYSELF. WHY SHOULDN’T I BE THE ONE TO MAKE THAT HAPPEN? IF IT’S GOING TO ANYWAY. uu: I THINK PART OF MY PERSONAL QUEST. IS TO BECOME AT EASE WITH THE FORCES OF INEVITABILITY. uu: INEVITABILITY THAT ALL THINGS SHOULD AND WILL FALL IN MY FAVOR. THAT ALL CAUSALITY ANSWERS TO ME. AND THAT ALL OUTCOMES NOT ONLY SERVE ME. BUT CONSIST OF MY BEING. uu: SO I FEEL THAT. THE MORE I GROW IN POWER. uu: THE MORE STUFF IT SHOULD TURN OUT I AM RESPONSIBLE FOR. uu: UP TO AND INCLUDING. EVERYTHING THAT EVER HAPPENS. uu: EVEN IF IT HAS TO BE. uu: RETROACTIVELY. Caliborn’s explanation of his path as a Lord of Time makes a lot of metafictional sense. Just as he works with his stereotypes about the alpha kids, he’s learning to work with predestination and make more of it bend in his favor the more he grows in power. He also gives a bit of a meta tie-in to all the stuff Lord English is revealed to have taken part in; Dave uses this same point to argue that there’s no real reason to fight English and that he’s in some convoluted way responsible for everyone existing. Jake takes his turn to explain what he thinks his aspect (Hope) is about: GT: Um well its something i think everyone should have in their hearts. uu: I KNEW IT. YOU JUST SAID. uu: THE LAMEST POSSIBLE THING. GT: But i wasnt finished! uu: FUCK. GT: Hope to me is all about believing in stuff. GT: If you believe in stuff then everything feels like its going to turn out ok. GT: And if you believe in stuff with enough gusto i dare say it imbues that stuff with a pinch more chutzpah. Even the fake stuff! GT: And then if you keep an open mind and adventurous spirit, that chutzpah flows directly into your heart, and thats when YOU have the power. GT: So i think if hope grants one the power to smite villainy and vanquish hooligans thats probably where it comes from! uu: NO. uu: OH GOD. NO. uu: THAT IS ACTUALLY THE WORST THING I’VE EVER READ. uu: THAT CAN’T BE RIGHT. I REFUSE TO BELIEVE IT. GT: Well THERES your problem dude. You dont want to BELIEVE! GT: Just let go and believe in things. Then youll find you had the power in you all along. Jake’s explanation is cheesy as all hell, but I think it is indeed what Hope is all about. The power of belief is a real thing that exists in the real world—why do you think there’s such a thing as the placebo effect? Because if you believe hard enough in something, chances are it will become slightly less fake. That’s how Eridan got his science wand to be so deadly, which is something I didn’t catch back then due to being kind of stupid—I used to not even believe in the placebo effect. Caliborn then explains how to go god tier without a backup dream self, which is something Calliope already explained but is explained again by the other cherub either for thematic effect or to hammer it in further. GT: So you say you will help me be a god tier… GT: But there are other ways you will help too? uu: YES. uu: I AM GOING TO GIVE YOU A GIFT. uu: IT IS MY JUJU. GT: Neat! GT: But what the bejesus is a juju? uu: I REALLY FIND IT HARD. TO COMPREHEND WHAT SORT OF ASSHOLE DOESN’T KNOW WHAT A JUJU IS. uu: BUT SINCE I AM YOUR PATRON MANBRO. I WILL PUT ASIDE THOSE FEELINGS. AND ATTEMPT TO BE A LITTLE MORE GAY. GT: That would be hunky dory. GT: In my view distinguished gentlemen should always strive to be as gay as possible with each other. uu: AMEN TO FUCKING THAT. uu: ANYWAY. A JUJU IS A MAGICAL THING. IT HAS NO REAL BEGINNING OR END. uu: THEY’RE JUST ALWAYS AROUND. THERE FOR YOU. uu: YOU GROW UP WITH THEM. AND THEY BRING YOU COMFORT. AND YOU NEVER QUESTION THEIR EXISTENCE. uu: IT’S LIKE SOME OF THE SHIT YOU HAD IN YOUR ROOM AS A KID. EXCEPT NOT USELESS GARBAGE. AND MORE MAGICAL. uu: THEY ALWAYS HAVE RULES. AND THEY ALWAYS HAVE OWNERS. uu: YOU CAN TAKE SOMEONE’S JUJU. IF THE OWNER WAS KILLED. uu: OR IF HE GIVES IT TO YOU FREELY. LIKE I’M DOING. uu: SO I WILL GIVE YOU THE CODE TO MAKE IT YOURSELF. uu: ONCE YOU DO. IT SHOULD DISAPPEAR FROM MY CHEST. AND IT WILL NO LONGER BE MINE. Caliborn’s explanation of how jujus work is an interesting case of his cosmic retroactivity—specifically, the story behind the Felt’s time devices, which we soon learn are all jujus. Hussie probably had a lot of fun coming up with the story behind the Felt in this sub-act and the following sub-intermission. I can tell he made a lot of it up on the fly, especially the topic of leprechaun romance.
This image reveals to us that Caliborn now has a proper gold tooth, which is one step ahead on his ascension to Lord English. I don’t know if we ever learn where he got that tooth, but I’m almost certain that thing is a juju. In the Meat Epilogue, English’s tooth overrides the usual rules for god tier death and kills John in a much more brutal way than ever before, which sounds exactly like something a juju would do. Caliborn goes on to talk about his sucker juju, which is another thing Calliope had prior explained; it’s reiterated by Caliborn because here we learn a bit more about the juju, as well as its captcha code which is uROBuROS. GT: So lord. May i ask… GT: Why are you giving me your juju if it is so dear to you? GT: Is your commitment to this manbro boypledge of yours really that strong? GT: If so im really impressed. I would have a really hard time giving my favorite stuff away to a total stranger. uu: DON’T FLATTER YOURSELF. uu: THE GESTURE IS RELATIVELY MEANINGLESS. THE TRUTH OF THE MATTER IS. uu: I HAVE FOUND A NEW JUJU. A MUCH BETTER JUJU. uu: A JUJU THAT MAKES ALL OTHER JUJUS LOOK LIKE FRIVOLOUS CHILDISH NONSENSE IN COMPARISON. GT: Yeah? Then that is quite a treasure you found. GT: Where did you get it? Did you plunder a tomb or such? uu: SORT OF. uu: IT WAS EXCAVATED FROM THIS PLANET’S SOIL. uu: ALONG WITH SOME OTHER ARTIFACTS. uu: AND GIVEN TO ME. uu: BY MY INFURIATING ASSHOLE MENTOR. uu: A MAN WHO IS AN INVINCIBLE CLOWN. GT: Well that sounds nice of him. He cant be that much of an asshole if he gave you such a nice present can he? uu: NO, BELIEVE ME. HE CAN. GT: I had a clown give me a nice present once too. I would never have met my good friend mr erisol without the kindness of that clown. uu: YEAH. IT’S THE SAME FUCKING CLOWN SOMEHOW. This bit of the pesterlog puts into question whether this pesterlog happened post-retcon, and whether Caliborn’s session was affected by the retcon—there’s quite a few possible plot holes like this in the post-retcon alpha session. No way am I going to bother trying to deduce what did and didn’t happen post-retcon just yet; all I can say is that given all the foreshadowing in this comic, it only makes sense that pre-retcon Jake is the one that dealt Caliborn his first ever defeat because this version definitely had the patron manbro conversation. uu: I’M TELLING YOU. THIS ASSHOLE IS ETERNAL. AND THE BEINGS HE CREATES FOR YOUR PARTY ARE DISGUSTING ABOMINATIONS. uu: BUT WHAT CAN YOU DO? NOTHING, I HAVE LEARNED. HE’S A CLOWN. THE RULES ARE. CLOWNS CAN DO WHATEVER THEY WANT. BECAUSE OF MIRACLES. AND HOLD NO ACCOUNTABILITY FOR THEIR DEEDS. uu: I DON’T LIKE IT. BUT THOSE ARE THE RULES. Caliborn has ascended a rung on the character development ladder! He’s finally down with the clown, just like Hussie said he would be. He finds it stupid that clowns can do whatever the story wants them to, but accepts it as a rule of his journey. GT: So whats this juju he gave you? uu: SOMETHING VERY SPECIAL. uu: A WONDERFUL LITTLE FALSE MAN. And here’s the wham line. Lil’ Cal didn’t stop being a thing or anything, did he? Readers might completely forget where the puppet could have came from…
Lil’ Seb is being adorable as ever rolling on the MSPA head.
… until they feast their eyes on THIS panel. Gamzee’s wounds are healed, Lil’ Cal is tattered, and Lil’ Seb is rusty in a way that makes it clear that thing spent millions of years in the ocean, back when Earth had anything even resembling an ocean. Cal and Seb sunk on opposite sides of the planet, so I’m not quite sure how they both wound up in the same place. Did continental drift bring the puppet and the bunny closer together? Or did the bunny find its way here through its lightning speed? One thing we know for certain is that Gamzee is the number one fallback character for fulfilling plot points in Caliborn’s session. No one can hear a word the clown says through his bulky plot armor. uu: YOUR HUMAN CONCEPT OF GAYNESS. ADEQUATELY DESCRIBES THE FEELINGS I HAVE. WHEN I EMBRACE MY PERFECT FLOPPY LITTLE MAN. uu: THE THING IS. I UNDERSTAND HIM MORE NOW. uu: BEFORE I THOUGHT HE WAS A CURSED VESSEL OF MISFORTUNE. WHICH SEEMED EERILY EMPTY TO ME. uu: HE WAS HOLLOW. NOT YET FILLED WITH BAD JUJU. uu: AND LOOKING IN HIS EYES NOW. I SEE. THAT I WAS RIGHT. ALMOST. uu: HE IS EMPTY RIGHT NOW. BUT A JUJU FOLLOWS A LONG AND WINDING PATH ON ITS ETERNAL JOURNEY. uu: AND HE WILL NOT BE EMPTY FOREVER.
Wham line x2 combo!!! More delicious meat that connects the second-last link in Cal’s complex timeline before Caliborn’s Masterpiece.
Caliborn’s exposition on Cal is accompanied by visuals showing his first time staring into the dead puppet’s eyes. uu: SOMEWHERE ALONG HIS JOURNEY. uu: IN SOME WAY I DON’T UNDERSTAND YET. uu: HE WILL STOP BEING EMPTY. uu: AND HIS CURSE WILL COME TO LIFE. uu: AND WHEREVER HE GOES. TO WHATEVER UNIVERSE OR PLANE OF REALITY. uu: ALL WHO EXIST THERE. WILL EXPERIENCE NOTHING BUT MISERY AND DEATH. “Misery and death” is laying it a bit thick, but if you think about all the places Cal has been it’s clear that the puppet was “full” by the time it entered Dave’s dream room and caused him many horrible nightmares about puppets and crows.
Note Gamzee’s codpiece, sticking out in front of Cal.
Meanwhile in the alpha session, Gamzee reveals he’s still in possession of the pre-scratch copy of Cal—just because we haven’t seen it since Cascade doesn’t mean it stopped being a thing or anything. The puppet’s fancy green outfit will surely ring a bell to readers, and perhaps make them think back to late Act 5 Act 2’s exposition sequences on how Doc Scratch came to be and how Gamzee made Universe B’s cancer terminal.
uu: I CAN’T EXPLAIN IT. uu: BUT WHEN I LOOK DEEP INTO HIS EYES. uu: I CAN FEEL HIM OUT THERE. uu: IN LATER STAGES OF HIS LIFE. uu: BY WHICH I MEAN. uu: I CAN FEEL *MYSELF*. uu: THROUGH HIM SOMEHOW. uu: AS IF MY ESSENCE WILL ONE DAY BECOME. uu: ENTANGLED WITH THE VOID. uu: AND THEN MYSTERIOUSLY ACCESSIBLE. uu: THROUGH MY SOFT HAPPY PAL. Caliborn yet again says through an excess amount of words that he is already here. The full version of Cal filled with Caliborn’s soul (and a few others, but we don’t know that yet!) has been around since Act 2 and puts a new light on Dave’s sequences exploring his freaky household.
Still have absolutely no idea how Jack gained Lord English powers post-retcon. It’s a real, actual plot hole, dammit.
The wink says more than words ever could.
Caliborn’s final exposition on Cal is accompanied by visuals showing Gamzee staring into the alarmingly alive puppet’s eyes, which is a great case of circumstantial simultaneity. uu: AND ALL THOSE ALONG THE WAY. uu: WHO HE DEEMS WORTHY. uu: OF ACCEPTING INTO HIS CUSTODY. uu: IF THEY SHOULD DARE TO FONDLY GAZE. uu: INTO HIS SPARKLING BABY BLUES. uu: THEY WILL BE PEERING THROUGH THE MOST BEAUTIFUL WINDOWS. uu: INTO MY HIDEOUS SOUL. As soon as Cal becomes alive, anyone its soul components “deem worthy” will have their minds opened up into the windows of Caliborn/English’s soul. It’s easy to see what Caliborn means by those he deems worthy: Caliborn himself, Gamzee (his clown companion and soul component), pre-scratch Dirk (his favorite cool anime prince and partial soul component), and the alpha kids’ Jack Noir (the useful stabby guy). This is a huge wham line that (partially) explains beta Dirk’s relationship with Cal and (partially) reveals that Gamzee’s plot relevance and involvement with Lord English is a complex self-originating stable time loop, which further supports the absurdist way Homestuck treats clowns. And that’s the end of Caliborn’s conversation with Jake! It started as a funny sequence calling back to the old human/troll conversations but proceeded into a huge dump of foreshadowing and plot reveals that are all fulfilled in Caliborn’s Masterpiece.
Meat time’s over. Now it’s time for an extremely sad flavor of candy which is deep down everyone’s favorite kind. Jane explores her old house with a deep frown on her face and becomes lost in thoughts on her missing father.
Here’s this familiar douche bag again. A hallway fixture, ever since dad stopped pretending to like detectives and sitcom guys for your sake. Your dad loved this douche bag, whoever he is. This guy is probably the closest thing you have left to a father, now that your dad is most likely dead. This passage is even sadder if you read it knowing what Bing Crosby was like to his real-life children, something Hussie said he didn’t realize until after he put Crosby in his comic. You consider going to his bedroom, but you decide against it. The ties and hats strewn about, the melange of aftershave and cologne, the childhood photos he keeps of you… no, those reminders could only lead to another mental breakdown. You’ll never forget the first breakdown you had when you snuck into his room. You found an unwrapped present before your birthday. It was a box of Gushers, and you were stunned to realize that awful gooey fruit snack was manufactured by the very same company you were due to inherit. As everything you thought you knew came crashing down around you, that day you swore the moment you ascended to the throne of the BCCorp empire, you would issue an immediate global recall of the foul product and discontinue it forever. This description of Jane’s mental breakdown on her (presumably 13th) birthday is such a clever callback to John’s mental breakdown when he first entered his father’s room. She had a mental breakdown for a completely opposite but functionally identical reason to John so long ago, all the while not being any more aware of the truth about Betty Crocker than John was. You often joked that the snacks were so nasty, it was almost like they were filled with multicolored slime harvested from plump extraterrestrial larva. When you told your dad about your plans for the product, you both had a good laugh. I bet Jane took those jokes from what Roxy and Dirk, both well aware of the Condesce’s horrible crimes, had tried to convince her about the company she was due to inherit. Oh, the dramatic irony. You have got to stop remembering things about your father. It’s just way too sad.
It’s still sad now because Jane and her father never had an onscreen reunion—just a few scenes together in the credits and hardly a mention of her father in the epilogues until he is killed off near the end of Candy. I wonder if we’ll ever know what Dad Crocker’s motives and affiliations in the epilogues were?
> Jane: Solicit profound wisdom from hallway Cera. The characteristically tight-lipped HALLWAY CERA unsurprisingly has no advice for you regarding the tragic loss of a family member. You could always relate to the role he played as George Michael, the dorky child of a single, doting father. But unlike you, George Michael was always surrounded by an extended family and their hilarious antics, and he would never know the tragedy of losing everyone he ever loved. You suddenly resent George Michael and the HALLWAY CERA altogether for the happy ending he was allowed to have with his father which you will never get to experience. In fact, you think you are starting to hate the HALLWAY CERA. Someone needs to wipe that smug look off his face. Jane is starting to hate all her favorite media just as much as John did during a recent nostalgic scene in his house. The only difference is that Jane is moping alone about it instead of ranting at length to an innocent friend.
Remember beagle pusses? One of the many prankster trademarks of the Twain-Crocker-Egbert family line? Jane doesn’t even find those funny anymore and her prankster’s gambit meter (remember that thing?) sinks into oblivion. As burnt out on pranks as Jane is, I honestly think this is the funniest use of the beagle puss yet.
Please let Problem Sleuth 2 be real. I’m begging you, Hussie.
The biggest tragedy in Jane’s sad walk through her old house is that her tiaratop is alive and intact.
You return to your room. Hey, there’s your old UNREAL HEIRESS THOUGHTWAVE TIARATOP. You haven’t used that thing in ages. It’s probably for the best that you stopped. You’re pretty sure it was doing funny things to your head. It’s too bad Jane’s anger is all fizzled out; now it doesn’t even occur to her to stomp on the tiaratop or better yet, chuck it into a burning fire where it belongs.
> Jane: Examine wall Tobias. Jake sent you the PERIWINKLE HEARTTHROB pinup back when you were still able to think about him without feeling horrible about yourself. Those were the days. It’s funny how looking at a thoughtful gift which once brought you such delight now only precipitates feelings of bitterness. Even the innocent Mr. Funke is caught in the crossfire of your lamentations. How could Tobias be so clueless?? How could he not see the pain he was causing with his oblivious demeanor, his repressed feelings of attraction toward men, and his total inability to understand other people’s feelings in spite of his credentials as an analrapist? Of course on the tv show, his buffoonery resulted in laughs galore. But if that was in real life, you don’t think there would be anything funny about the situation. In reality, Tobias and his family would probably never stop being sad. You think you are starting to hate the WALL TOBIAS too.
Much like John, when Jane is in a bad mood she starts analyzing all her favorite media as allegories for her horrible fuckups in life. Tobias Funke reminds her of her handsome but oblivious old crush just as much as John Cusack reminds John of the real Dave who isn’t a feathery prick and whose crew he didn’t take the opportunity to join.
Jane still loves Ron Swanson though, just as much as John loves Nicolas Cage in his distinctly not-a-homosexual way. Jane’s love of mustache men is an obvious parallel with her crush on Jake, which this page suggests is still intact.
Jane then gets an alert from Jake and reads it on her tiaratop but doesn’t respond. GT: Jane are you there? GT: I wouldnt blame you for not answering since i was such a shitty boor to you last time. GT: I just wanted to formally say happy birthday. GT: And also to pass along a birthday present. GT: I doubt it will make up for all the ways ive hurt your feelings but maybe it will be a start? GT: Its some fancy juju thingamabob that calliopes bro gave to me. GT: He specifically gave it to me to make me better so i could get stronger and punch him in the snout some day or something? GT: I dunno about that. I dont think i care about becoming a great hero and challenging a weird grumpy alien all that much. GT: Not nearly as much as my friendship with you. GT: So i want you to have it instead. This is… really sweet of Jake! It’s a surprising thing to come right after Jane thinking about all the ways Jake is a clueless idiot. Jane should easily be reminded of what all she liked about Jake. GT: Just use the code to make it. The code is… GT: Um… GT: ORBROBuRBROS? GT: No wait. GT: Thats way too long… GT: uBORBuBROS? GT: How many letters were codes supposed to have? GT: Fuck. GT: BROBuROBuT GT: ORuBuBROBOS GT: No. Uh… GT: BROBRO… something? GT: Wait no there were definitely some little u’s in it… GT: Shit. I really should have copied it down before i closed the chat window. GT: OuROBOuRBON GT: BuRBORuBROS… GT: Wow those arent even close. GT: Hang on let me think. And here’s where Jane is probably reminded of what she finds so frustrating about Jake. He somehow can’t remember that captcha codes are supposed to be eight letters and struggles to remember the code for Caliborn’s juju.
OUCH. OUCH. OUCH. HUGE OUCH. This poster was a birthday present from Jake and here she is ripping it the hell apart. You close the chat window without a word. You cannot BELIEVE that guy. Trying to regift you a present, from that ASSHOLE of all people?! You don’t want anything from that horrible creep. You don’t care HOW magic it is. He can take his stupid juju and shove it up his patoot. Sorry Tobias, but Jane has decided that you represent Jake for the purpose of this angry outburst. Unlike Jane, I forgot that Jake’s gift technically came from Calliope’s asshole brother who she obviously doesn’t want to hear anything from ever again.
This is immediately followed by a sudden surprise. Oh no. Oh no this conversation is going to make you even sadder isn’t it.
Jane doesn’t feel good about getting what she can only assume is a message from the past before Calliope knew she was going to die. UU: happy birthday, jane! ^u^
forgive me for sUbmitting this letter and logging off right away, bUt i am breaking with oUr UsUal linear dialogUe, and i’d rather not tempt either of Us to trade caUsal spoilers. i wanted to give yoU a present. something told me yoU coUld Use a pick-me-Up aboUt now. :u
i am sending yoU the code for my jUjU. it may not be easy for a hUman to Understand, bUt jUjUs are very special to my people. so when i give yoU this gift, it is indicative of how mUch yoUr friendship has meant to me, jane. it has some magical properties, bUt nothing too fancy on its own. i hope it will bring a smile to yoUr face nevertheless. bUt if yoU want to know the trUth, it will become infinitely more UsefUl if it is combined with my brother’s jUjU. It’s sweet and thoughtful of Calliope to send Jane a birthday note ahead of time—I’m guessing Skaian clouds suggested her to do that. It’s also useful for her to do this because Jake is too stupid to remember how to spell uROBuROS. … which is to say, it’s horribly wrong and bad for Calliope to do this because the trickster juju has a horrible negative side effect on humans once it wears off. But it’s a sweet thought of her regardless. perhaps when we begin playing oUr game, i will be able to convince him to relinqUish it. one of these days he’ll Understand working with others is going to be necessary if he wants to accomplish anything. Caliborn has indeed been getting the hang of working with others, but not quite the “others” Calliope is thinking of. This passage is an interesting case of double dramatic irony, if that’s a concept that makes any sort of sense. (I used this exact phrasing in a recent post but fuck it who cares) i am so looking forward to my session and catching Up to where yoU are now! i can only imagine what kind of adventUres yoU mUst have been throUgh already. i can’t help bUt think we’ve been feverishly trading notes on oUr respective qUests since yoU entered, no? maybe yoU are even tired of hearing from me by now! u_u apologies both retroactively and in advance for talking yoUr lovely hUman ear off. bUt i jUst know i won’t be able to contain my excitement!
anyhow, the code for my jUjU is: “UrobUros”
ta! This birthday letter gives me the exact same vibes as Jade’s birthday letter to John. Both are filled to the brim with dramatic irony and sting incredibly hard to read, which shows a new parallel between Jade and Calliope just like I always noticed back in Act 6 Act 1.
And both birthday letters drive the recipient to immense tears. A single tear running down her eye is not enough this time; rather, a huge dump of tears is what’s needed to convey the letter’s severe tear-jerking factor.
And to make Jane’s day even worse, the Condesce fucks with Jane’s thoughts through her tiaratop and drowns her in rapping clowns and deadly food products, the trademarks of her bizarre sense of humor.
God damn, the tiaratop must be sturdy! Though Homestuck has never been one for obeying the laws of physics, this image is clearly meant to convey that the tiaratop is tough enough that it can’t be destroyed just through Jane dropping it extra hard.
Roxy’s shirt icon makes the best facial expressions.
Jane runs away and misses a message from Roxy, completing the trilogy of Roxy inadvertently shouting into the void. tipsyGnostalgic [TG] began bothering gutsyGumshoe [GG] TG: jane TG: jane TG: jane TG: jane TG: janes 4 ev TG: /take deepest jane yellin breath TG: JAAAAAAAAAAAAAAOmfg yeah right TG: like there is any chance u answer me TG: with today being international everybody ignore roxy day Just like her relatives, Roxy is good at noticing narrative patterns and can immediately tell Jane won’t answer; she vents out her frustration by joking about it being “international everybody ignore roxy day”. TG: LEEEEE sigh TG: like TG: doing literally the frenchest of possible sighs over here TG: its wearing a lopsided beret in the city of goddamn light falling in FUCKING love TG: such is my sigh TG: am packing TOTES ennui janey TG: or shd i say……. TG: ennOUI 😉 TG: wait TG: ennui is probably already a french word?? TG: not sure that one needs anymore frenching up… TG: i should know this b cause my last name is french sounding TG: even tho im p sure my mom did not hail from france TG: idk TG: who even “LA CARES” TG: hehehe fuck you, A CERTAIN LANGUAGE TG: uum yeah And now we can see where Dave got his trait of constantly talking to himself from. Both go on soliloquies about the weirdest shit possible.
It’s easy to forget that alchemy requires you to go back up and down to the totem lathe and alchemiter.
These pages of Jane doing alchemy (which never stopped being a thing or anything) are interestingly accompanied not by second-person narration, but by Roxy monologuing about her meeting with Calliope in which she learned about the trickster juju Jane is alchemizing right now. This makes for quite an entertaining spin on the tone of the early acts. TG: like we got all this big deal crap to do and i cant even talk to no one TG: jane TG: ambiguous voidey powers notwithstanding TG: im starting 2 think i might be genetically predisposed to ramblin at length into empty chat clients TG: well TG: hit me up if up see this TG: maybe ill try 2 txt fefeta TG: my dear precious fefeta TG: i know SHE would never ignore me ;3 TG: SWOOOOON + <33333 @ FEFETA, AND THUS MAKING CROCKER SO JELLIES )(IC: yo dont fuck with my heiress )(IC: gurl got royal bidness porpoises to attend )(IC: and do not even T)(INK i dont know you out a jail bitch )(IC: you take a flip thru ma secret jam yet )(IC: dat sparkle shit i left w tha dance clowns on TG: oh noes TG: is the witch TG: .___. tipsyGnostalgic [TG] ceased bothering gutsyGumshoe [GG] Roxy’s monologue is interrupted by the Condesce in her second of three brief speaking scenes. The Condesce is one of few characters to stand on the line between voiced and unvoiced characters (here, voicing refers to whether a character speaks in pesterlogs). She doesn’t speak often, but when she does it’s a good way to establish her character as a much more bossy grown-up version of Meenah. Most other characters in Homestuck are unambiguously on one side (beta and alpha humans and trolls, Calliope and Caliborn) or the other (almost everyone else, including carapacians). Gamzee is an interesting case of crossing into the unvoiced side at the start of Act 6, then crossing back in the Candy Epilogue.
Jane alchemizes Calliope’s juju, which costs negative one unit of zillium. Attentive readers might think of the Warhammer of Zillyhoo and perhaps connect the dots on the story behind that thing.
Jane alchemizes Caliborn’s juju and Gamzee watches in excitement (or maybe just his signature faux serenity). You easily deduce the code Jake was trying to remember. It’s uROBuROS. Come on Jake, use your head. Haven’t you ever heard of the mythical snake biting its own tail? You worry about that kid sometimes. Anyway, obviously the code for his juju was going to be the same as Calliope’s, but written in the reverse case to match his quirk. Once again your gumshoeing skills pay huge dividends. Jane’s interest in detectives is one of those character bullet points that feels like it was meant to be a prominent part of her character but didn’t turn out that way at all. I don’t find this to be a huge problem though; much like the times late in the comic Dave’s old interests are brought up, it feels like a fun callback to briefly bring back Jane’s interest in detectives and show her skill at puzzle solving.
GOOD CALLBACK! I love that this scene brings back Doc Scratch’s dramatic last words in a more humorous context, reminding us of Scratch’s connections with the cherubs.
If you look closely at this panel, you’ll see some white and black intertwined snakes the moment the cherubs’ jujus combine. This moment foreshadows cherub reproduction, which we’ll learn all about in the next sub-intermission.
Jane succumbs to an overwhelming urge to lick the combined jujus and you know what comes next:
This image uses the same rainbow graphics from [S] Jade: Wake up, but in an even more mind-wrenching context.
OW, MY EYES. Here we have it: the Trickster Mode easter egg from the early acts’ walkarounds, brought to full light in a show of absolute eye vomit. Aside from being obnoxious as hell, our first impression of trickster mode demonstrates right away that cherubs are beings of polar extremes. They’re physically incapable of eating too much meat or candy, so their concept of maximum satisfaction is infinite rainbow superpowers that are an absolute eyesore to any non-cherub outsider.
Gamzee is a good example of a non-cherub outsider. Though he has accumulated a huge excess of plot relevance, deep down he’s still just a simple motherfuckin’ clown. He watches in utter confusion as rainbow cupcake Jane dances in glee.
Not shown: Jane’s beam of trickster energy vaporizing the skeletal imps into heaps of zillium.
The following page shows us that the trickster juju doesn’t just turn you into a rainbow freak, but gives you insane powers that break the entire goddamn game. Jane restores half of her desolate planet to full 100% maxed-out life, or should I say 11111111111% maxed-out life. This absolute maximum amount of rainbow glimmer is exactly what makes cherubs revel in such delight. It’s sometimes speculated that turning her gray planet into a colorful rainbow world is the goal of Jane’s planet quest, which she just fulfilled by succumbing to a game-breaking juju. But I’m not even sure if void session players have planet quests. The whole notion of planet quests is one of those standard Sburb progression topics whose usefulness the narrative calls into question, just like the supposedly renowned Ultimate Riddle.
END OF ACT 6 ACT 5 ACT 1
The curtains close in on the revamped Land of Crypts and Helium, concluding Act 6 Act 5 Act 1. Act 6 Act 5’s sub-sub-acts are one of the few act subdivisions that are ultimately just an absurdist joke. Act 5 of Homestuck is split into two long sub-acts, one of which is the longest single subdivision of Homestuck; Act 6 Act 5 is split into two sub-sub-acts only to give the infamous trickster arc its own place in the comic’s act structure. See you in two weeks as this post series reaches the trickster arc at long last. Part of me never even thought I’d make it this far! Here I am almost four years after this post series’ conception about to start the trickster arc, so that’s… cool? I’ve said it before and I’ll say it again: I am so sorry. >> Part 97: The Part Everyone Hates
“Nostalgification” is totally a real word, I swear.
Years in the future…
After a bunch of pages that were mostly romance drama and hints at the Condesce’s machinations, it’s time for a fun throwback. The image shown above depicts Roxy’s carapacian neighborhood on a rainy evening, just like how Rose’s house was in the early acts. This whole scene is going to be a lot of fun, I can tell.
I forgot how cute Roxy looks in her starting outfit, my god. Full disclosure: for me, a fictional girl’s cuteness is mainly determined by whether or not she wears tights.
It’s time to read Wizardy Herbert! You might already know that Wizardy Herbert is the name of one of Hussie’s pre-MSPA works. It’s an unfinished Harry Potter parody story with wild metafictional elements and overall insane nonsense. It is my understanding that Hussie in real life never cared much for wizards and decided when writing both Wizardy Herbert and Homestuck to crudely parody the fondness people have for them.
I don’t care much for wizards personally.
But this story? An absolute laugh riot that somehow doesn’t have a fanmade full version.
Oh boy, guys. I’m going to take you for a wild ride and dissect the HELL out of this story. I hope you’re ready for heaps of comparisons with the fanmade full version of Detective Pony, which I treat as canon in this post series. “i think you were supposed to just tackle him,” beatrix said looking all kinds of put off. “all kinds of put off” is such a Roxy thing to say. The first sentence of this page already sets the stage for her absurd story perfectly. wizardy herbert reached down to the body of the fictional camper he just shot and picked up the flag. “same difference.”
“this is some lame magical version of capture the flag. the book wanted me to capture the flag from him. the flag has now been captured. anyway, hes just a kind of brainless puppet.”
“then what are we?” she asked.
“i dunno. brainless puppets whove spent a few years in the real world. kind of like everyone else, i suppose.” When you’re talking about metafiction, the “real world” can mean a lot of things. I can’t quite tell what that phrase refers to here; I assume Roxy’s story established that phrase’s meaning at some point before this page. Unlike with Detective Pony where we only saw the first few pages and got a rough description of the rest, we’re treated right away to the portion of Wizardy Herbert where the story has fallen apart and the title character is debating with his female companion about the nature of their story. “jeez thats cynical. anyway, youre the one who said we should let the story play out the way its supposed to. im just pointing out your own rules.” I love how Beatrix’s reaction to Herbert’s metafictional nihilism is nothing more than “jeez thats cynical”. This is another bit that helps establish the story as a playful but earnest exploration of the nature of metafiction. “ehhh.” herbert made a dismissive gesture with his smoking gun. “these punks were starting to get on my nerves. we’re making progress anyway. see? listen to that. russets scene is coming up. if i remember right this is the one that introduces his recurring love interest. also i guess the chief bad guy. i mean, sorta.” At this point, both Herbert and Beatrix are playing common roles in meta stories: Herbert as the extremely meta-aware hero/villain, and Beatrix as his loyal but oft-questioning assistant. Dirk invokes these roles both in Detective Pony and in the Meat Epilogue; the former role always with himself, and the latter role variously with Minos, Jeanne Betancourt, and Rose. In the Meat Epilogue, he takes advantage of the traits Rose has in common with him as well as her declining health so that she can play the role of the meta assistant and then get a fresh new robot body. Now that I think of it, it’s rather heteronormative of Dave at the end to think Rose and Dirk might be dating just because of these tropes. Normally he’s as woke as can be about LGBT topics; maybe he thinks Dirk’s mindset has changed simply because he’s so far up his own ass with self-importance. /end tangent This page of the story continues with double narration between Roxy’s usual writing and nonsensical SBaHJ-style Comic Sans writing. It’s clear that Sweet Bro and Hella Jeff cracks Roxy up just as much as the beta kids, which is very cute. The characters written SBaHJ-style are even more fake and confusing than the “normal” ones. I have no idea what’s going on now, other than that one of the Comic Sans characters is described as a handsome young man with black hair and glasses, which will soon lead to an allegorical exploration of John and Roxy’s relationship—perhaps a forewarning of what may become of it. “why beatrix” he said with a super sly smile. “if i didnt know better, id say you were taking some enjoyment from watchin your dear pal russets smackdown.”
“what? no!” she didnt let go of his arm. but he wouldnt quit his douchey smile. she went on. “you cant just keep offing fictional characters. its… i dunno. irresponsible.”
“besides you know the scene is supposed to play out like this. russet is supposed to get rescued. how is he supposed to get rescued if the bullies are dead? you cant just go around changing things.”
“i guess youre right.”
herbert holstered his gun admiring a few more choice sucker punches to russets midriff. OOF. that onell leave a mark. beatrix regained her calm. “so whos this guy thats supposed to save him?” she asked. “you say hes the villain?”
“here he comes now.” Herbert’s shameless defiance against the story’s supposed rules reminds me of Caliborn, which makes sense because he and Dirk are alike in some ways, and because B2 Rose’s stories are also filled with cherub allusions.
Not understanding how sports work is something Roxy and Dave have in common.
Roxy skips ahead a few pages and now Herbert and Beatrix are dressed up to play some SPORTS. The Harry Potter satire is painfully obvious here—Quidditch is a staple of the series, even I know that—as is the fact that Hussie doesn’t like Harry Potter very much. As with Cronus’s backstory, elements everyone knows are incorporated and blatantly made fun of but none of the deeper plot seems to be referenced. I know this because if the plot of Harry Potter was deeply woven within Homestuck, then TV Tropes would be littered with comparisons between the two. “russet! answer me!” beatrix demanded. “why the heck didnt you tell us? or tell grant for that matter?”
herbert wasnt paying much attention. so russet was moody and cryptic and didnt tell people some stuff. what a bombshell. he worried at one of the springs poking out of his ridonkulous ball. it made a sproinging sound like a mouth harp and broke off. he wondered if the springs served any actual purpose. the springs did not serve any actual purpose.
“how could you keep something like that from everyone? that you knew all along?”
“i just wanted what was best for grant” he finally said.
she had tons of questions but couldnt settle on the next one to ask. she wasnt about to let good body language go to waste so she did kinda what mimes do when they dont like something you said. how long did he know grant was from this dogshit wizardfic? howd he escape in the first place? was it really his spell that sealed them here? how long had he been planning this? she guessed that would explain why he had an absurdly obvious pseudonym. grant anonama? yeah like THATS a real name. great job bro, or should she say SLINUS. she wondered if his bogus name wasnt an anagram for something. like a clue dangled under their noses. magic bad guys do love their anagrams. they are just so damn clever and when you finally figure them out its like whoa INSTANT MINDFUCK. Roxy’s writing continues to be a mix of Rose and Dave, in all the opposite ways from how Dirk’s writing is. Her use of serial rhetorical questions reminds me of Rose just as much as her sarcastic commentary on narrative tropes reminds me of Dave. I’ve said before that it’s kind of funny Roxy and Dirk seem to inherit traits from both their respective ancestors when it’s technically the other way around. Skipping a bit… it was time to go. the narratives invisible conductor let them know with the arrival of a carriage. it was drawn by two floating, perfectly immobile wooden horses. herbert read this thing a hundred times but still couldnt understand the authors fascination with flying rigid wooden horses. This passage is obviously a self-deprecating jab at how much Hussie loves joking about horses, but its in-universe purpose is a bit less clear. I wonder if Roxy incorporated horses in her story to obliquely vent about her hopeless crush on Dirk? She knows very well that Dirk is a fan of horses and might even be playfully referencing Detective Pony.
Roxy skips to the end of what she has so far and oh my god, what is this. Herbert and Beatrix are freaking out and flailing their arms, but the horses’ facial expressions are blank as ever. It’s clear from this image that Roxy doesn’t have Dirk’s deep, resounding appreciation for horses. If Dirk drew this panel, the horses would be the ones freaking out. “herbert watch where youre going!”
“i cant. i think the book wants us to crash.”
beatrix thought about it. she almost kicked the sides of her inert stallion to prod it along but caught herself. “do we really have to?” Here’s where we see Herbert suddenly had a change of mind regarding narrative rules. At first he brutally disobeyed what was meant to happen, but now to Beatrix’s surprise he’s following the rules.
herbert shrugged. another solid half minute of awkward horse advancement went by before the creaking oaken collision. herbert tumbled through the air and hit the grass pitch hard on his back. beatrix landed on top him. they founfd each other face to face.
“is she serious with this?” she asked regarding the hella subtle way the author decided to craft this situration*. situation. is was like, popetry in motion. plus hornses(???)
“im afaid* so. i think the story is builting romantic tension between us.”
“it IS?” it was not a question. but a statement of major concorn. *cern
“yeah. it it establushing* the groundwork for romance beween our characaters. its sort of the one token heroterosexual** romance in the book. we probably jush have to ride it out” Read this passage and tell me, TELL ME, it isn’t an accurate retelling of how John and Roxy’s relationship plays in the Candy Epilogue. Their relationship is a perfect example of a “token heterosexual romance”, so it’s only natural that it’s deconstructed to hell and back once they get back together. John is disconcerted by how easily their relationship happens but goes along with it because he thinks that’s how love is supposed to feel; Roxy is overcompensating for her grief over ruined friendships and Dirk’s death, which further hurts their relationship. beautrix dinit* dint kno whaf*T the felling of collor red wash…. but
she cloun*cloud*COULD swear the fleling
she could swar
(RAAARARRAAUUUAAAAUUAGHGHGGHGGGGHHGH DOINT WRITE WHILT DRONK U LUSHEY DUMBO) Roxy’s writing becomes more and more drunk as Herbert and Beatrix are about to have their romantic climax, which is again much like how romantic relationships in Homestuck work. Though this page of the story is mostly an allegory for John and Roxy’s relationship, this last passage most closely matches Rose and Kanaya, Homestuck’s token lesbian romance. As I’ve said in a few recent posts, these two ships have a lot of parallels that come to full light in the Candy Epilogue.
Well this sure was fun. I’m glad I got to the Wizardy Herbert section now instead of earlier, because in recent months I’ve written some metafictional stories inspired by Detective Pony and the Homestuck Epilogues that I haven’t shared with the public because they’re incredibly stupid. I can confirm that metafiction is both incredibly fun to write and incredibly easy to get carried away with. I’ll also say that although I have inserted myself into my metafictional stories, it’s always a different character who has the most meta knowledge—not because it would be too self-indulgent for my self-insert to know all the meta stuff, but because I think it’s way funnier if another character does.
Your home suddenly loses power due to the storm. Which… makes no sense? All devices in your house are powered by the portable green hubs you stole from the lab. That’s weird. Your laptop continues to run on battery power regardless.
This is a crazy cool throwback. It’s sure to remind readers of Rose’s story in the early acts, where a storm was causing her house to lose power and impeding her progress on starting Sburb. I must say, it’s incredibly refreshing to have a throwback arc after a bunch of annoying romance drama.
Roxy answers UU and it doesn’t take long for the conversation to diverge from whatever it was originally going to be. She realizes she isn’t drunk and that she somehow knows Calliope’s name.
Calliope says nothing but ellipses as Roxy observes the Furthest Ring’s damage. Roxy is given lots of commands in this dialogue sequence, but her responses to those commands are generally in dialogue instead of narration. Roxy’s monologuing is a substitute for second-person narration, which is done several other times in mid-to-late Act 6 like when Dave examines his old bedroom and breaks into tears about his old ironic nonsense, or during John’s entire retcon mission. I wish the Act 6 Act 6 intermissions had some amount of commanding characters like this instead of just constant [A6A6Ix] ====>; it would have livened things up quite a bit. I’m glad full-out second-person narration was brought back at the start of the epilogues.
Callback to a panel where Rose holds a crystal ball.
When Roxy finds Twinkly Herbert, Calliope starts talking in Morse code through… Herbert’s soul or consciousness or something? I’m not going to bother trying to explain this odd bit, but I will say I like how every dream bubble scene in Homestuck brings something new to the table of bizarre dream logic.
Calliope through Twinkly Herbert explains to Roxy that they both need to keep a low profile because Lord English is wreaking havoc upon the Furthest Ring in search for his dead sister.
TG: (the fuck?) TG: (what happened to my house) TG: (some stuff is different) TG: (i dont remember this) TG: (callie do you know whats going on) UU: -. — [no.] UU: -… ..- – / .-.. . – .—-. … / -.- . . .–. / –. — .. -. –. [bUt let’s keep going.] TG: (and what am i even wearing) TG: (what are these clothes?) UU: .. – / .- .–. .–. . .- .-. … / – — / -… . / – …. . / — ..- – ..-. .. – / — ..-. / .- / ..-. .- … …. .. — -. .- -… .-.. . / … -.-. .. . -. -.-. . / .– — — .- -. ? [it appears to be the oUtfit of a fashionable science woman?] TG: (oh yeah) TG: (like a sexy science lady suit) TG: (thats p cool i guess) Here’s where things start to get fun. Roxy is now exploring Rose’s old house, which is even darker than it was when Rose explored it in the early acts. She’s dressed as her pre-scratch self which adds to the nostalgia and makes it feel like we’re exploring Rose’s house from her mother’s perspective. This is a rare occasion when characters in dream bubbles get to play the roles of their alternate selves, which hasn’t been explored much elsewhere aside from a few scenes with Aradia. I’ve accepted by this point that dream bubbles work in whichever way is most convenient for the scene.
It’s obvious through any scene involving the Lalondes that Hussie himself hates wizards.
Next comes a funny moment where Roxy examines one of her pre-scratch self’s wizard paintings and cracks up. TG: (heck yes) TG: (hes so perf) TG: (callie check him out) UU: ..- — [Um.] TG: (that aint even a painting) TG: (ahaha its so shitty) TG: (did someone like) TG: (grab a random ass low res wallpaper off the internet) TG: (of a jolly wizard doing what appears 2 be the worlds dumbest spell) TG: (and saved at low quality then just like) TG: (printed it way too huge) TG: (lmao) UU: —… ..- [:U] TG: (its not even scaled proportionately) TG: (its stretched extra wide to fit this expensive as fuck frame) TG: (is that shit like) TG: (literal solid gold) TG: (ahahahahah i cant even deal) TG: (whoever did this was a wonderful genius) I like the implication that Rose’s mother wasn’t just a lunatic who freely collected all things wizard-related, but perhaps had a sense of humor about it all and took delight in the absurdity of old-timey wizard paintings.
Even though she’s mostly seen here cracking jokes about these wizards, it’s clear that Roxy truly thinks wizards are cool and badass.
This is such a great spooky panel.
Roxy sneaks by the corridor and here’s a fun callback. She catches a glimpse of the Condesce, just like Rose caught a glimpse of her mother so long ago. Calliope clarifies that the Condesce is only there through subconscious memories, which tells readers that this scene is there just for spooky flair.
Roxy makes her way to the observatory… or is it? The observatory symbol from Rose’s house is replaced with the cherub spiral, which signifies that things are going to be a bit different.
Note the candy flowers below the door. Are there meat flowers on the other side?
And HERE’S where things get extra fun. The memories transition to Calliope’s art style, which is another thing that’s never been done before. Calliope’s dream bubble scenes in her art style are a lot of fun and there’s going to be a few more in later acts.
There are totally meat flowers on the other side. It makes thematic sense and I feel like a genius for figuring it out.
Roxy exits the door and starts walking down a white spiral which is fun. This scene has lots of great art, especially that last panel above.
Calliope’s ghost’s visual appearance is a surprisingly spooky image which I think is a callback to at least five other panels.
The moment Roxy turns around, Calliope changes into her trollsona outfit. I think I now understand the point of that whole arc with Calliope’s appearance insecurities and Roxy’s sugary encouragement: it’s a counterpoint to John/Roxy, the token heterosexual romance as we all know. You could argue John and Terezi’s relationship is also a counterpoint to the token heterosexual romance, but that’s different because it’s an objectively better ship.
I’m going to be honest here. The art is by FAR the coolest thing about this sequence so far. It’s way more stunning than it has any reason to be, because all that’s happened so far is Calliope expositing about stuff we mostly already knew about Lord English and Roxy’s role as a void player. I’ll go through this exposition anyway because I’m kind of obsessed with Caliborn. UU: on the day he foUnd a way to kill my dream self, i was done for. thoUgh to be honest, i doUbt i’d have fared mUch better regardless. UU: i think his half was always meant to predominate. UU: my will was simply not strong enoUgh to overcome his. yoU know as well as i how stUbborn he is. i don’t think he has ever had even a smidgen of doUbt in his thoUghts, or remorse for his deeds. whereas i was always plagUed by sUch feelings. Calliope’s talk about Caliborn reminds me of his story as an artist. We saw in his conversation with Jane that his stubbornness works in his favor when it comes to art; he starts the story incapable of producing art that is even remotely coherent, but doesn’t let doubt or remorse get in the way of becoming the best artist he can possibly be. Caliborn’s tale as an artist is so inspirational I don’t even care that he wrought eternal havoc upon paradox space. UU: on some level i always knew he woUld win. bUt i fooled myself. i thoUght i coUld overcome his ego by looking beyond his negative qUalities, staying optimistic, and working together with him in a game to accomplish something extraordinary. UU: and that in doing so, perhaps i coUld begin to help him change. to teach him to evolve beyond his hatefUl natUre. and as he changed for the better, slowly but sUrely, he woUld become more like myself. UU: that was how i thoUght i coUld predominate. it was how i was going to win! and really, if he grew closer to me in that way, by learning kindness and compassion, we both woUld have won. my predomination woUld not have meant his absolUte death, but oUr trUe Union. What Calliope is saying here is that the reason her brother predominated is because she succumbed to the human emotion of “friendship”. This makes a lot of sense if you think about the timeline where Calliope predominated. The way god tier Calliope talks about her brother in the Meat Epilogue suggests she was just as good at catching his weak spots as god tier Caliborn was at catching his sister’s weak spots. UU: bUt sadly, i Underestimated how consUmed he was with the need to destroy me. UU: now he is completely obsessed with finding my soUl and wiping me oUt for good, even if it means tearing apart the reality that sUrroUnds Us. UU: he will never feel he has won Until all traces of me are gone. TG: uuuugh TG: hearing all that just makes me so unreasonably mad TG: FUCK that shitlord Hearing all that makes me unreasonably sad. I think Caliborn’s brain became kind of broken when he ascended to his final form and now he’s nothing more than a demon who’s out destroying everything in search for his sister. UU: i have reason to sUspect there may be another iteration of myself oUt here. UU: one from a doomed timeline, who has kept hidden for a long time, jUst like i have. UU: bUt Unlike me, she sUpposedly came from a reality where she predominated instead of my brother. UU: and not by the means which i described. hers was not a mild Union of reconciliation. UU: amazingly, her predomination was absolUte! a major feat of will, jUst as his was with me. UU: as sUch, she went on to play the game, and… UU: well, i cannot even imagine what followed, aside from the fact that she eventUally mUst have died for existing in an offshoot reality. UU: if she exists, i woUld be eager to meet her. it woUld be a chance to get to know a version of myself who was strong enoUgh to override the will of my brother. UU: someone i might have become if i had a little more coUrage. u_u UU: and if she is sUch a person, then i really believe all i have heard mUst be trUe. i believe she is the key to defeating him. UU: so i have no choice. UU: i mUst go in search of myself. Calliope clarifies a mystery about the lost cherub plan: the cherub who can be used to defeat Lord English is an alternate ghost of herself who predominated over Caliborn. I didn’t realize alt Calliope was introduced this early; I thought it wasn’t until A6A6I4 when she was first brought up. I assume Calliope knows about her alternate self simply through her usual method of theorizing, which is good here because it turns the boring lost cherub mission into an enticing mystery arc.
Oh hell yes. I’m LOVING this outer spacey art.
TG: you sound like a real popular lady out here TG: even you are looking for you! Roxy and Calliope’s interactions have occasional good moments like this—emphasis on “occasional”. I’m starting to think it was the author’s intent to make them deliberately too sugary, as a counterpoint to the token heterosexual romance I talked about earlier. UU: indeed. TG: well i hope you can find her TG: but TG: if thats your job TG: to find bizarro calliope and go wollop ur bro TG: then what is our heroic biz? UU: it’s the same as it always was. UU: to win the game. TG: oh yeah TG: duh UU: it is as i once told jane. UU: with victory yoU may finally exit this vast whirling storm. UU: by claiming yoUr reward yoU woUld bring closUre to a very wide coil of caUsality, one not tracing a continUoUs path like a snake, bUt intricately woven like a wreath. UU: a ring of coUntless little rises and falls, ascents and descents, on its way Up and down a pair of mUch bigger ones itself. UU: from alpha to beta, then beta to alpha, as if a moUntain to be scaled and then climbed back down. its peak toUches the eye of a storm which cannot end Until the moment yoU all walk throUgh that door. UU: only then will there be calm. TG: ._. UU: ah, bUgger. forgive me, sometimes i forget myself and begin speaking in riddles. UU: it’s jUst a habit that is in the natUre of my people. TG: yeah i know TG: at least yours r better than your bros stupid games UU: don’t remind me. in my opinion they do not qUalify as anything of the sort, mUch the same as his “shitty twists”. >:u Speaking in poetry definitely runs in the cherub family. Calliope, Caliborn, and the other Calliope all have a fixation on poetically retelling the events of Act 7, which is the grand culmination of all their artistic ambitions. UU: as the one who provoked the breach in paradox space which i jUst coloUrfUlly described, he has always exerted his inflUence on yoUr realities from afar, and from many different angles. throUgh Unwitting sUrrogates, oUtsoUrced manipUlation, oUtright enslavement, and even petty harassment. bUt most of all, he prevails throUgh the simple inertia of inevitability that has always been on his side, as a lord of time. UU: and as the one who is to blame for foolishly allowing him access to sUch power, it’s only proper that i take responsibility for finding a way to defeat him. UU: bUt even thoUgh his methods of inflUencing yoUr session are indirect, they are still formidable. UU: there will be a nUmber of powerfUl foes who stand between yoU and victory. UU: tomorrow, a terrific battle will take place. UU: when yoU wake Up, i sUggest yoU begin to prepare. Why is it so surprising to me that ending Homestuck with Collide and Act 7 seems to have been planned this early? The battle against all the villains directly or indirectly affiliated with Lord English is indeed what stands between the kids and victory, and once the retcon is executed it all sort of… happens without a hitch??? Homestuck proper’s ending is a farce beyond farces and now that the epilogues are out I can’t help but love that. TG: ummmm ok TG: how TG: like make more sick gear TG: i could hustle up another batch of illwicked guns TG: just a big ol pile of guns TG: jake can have the wimpy smaller ones TG: make jane like a fancy new fork or spoon or such TG: like an elite endgame spoon TG: whatever that is TG: like uh TG: the chowderfucker 5000 TG: janey be flippin her godspoon round bopping monsters doing like TG: CUCKOO damage TG: wont bother make nothin 4 dirk since hes basically married to his boring anime sword TG: like u could even pry that thing from his rad dead cadaver Roxy knows a surprising amount about the alpha kids’ natures, as any good leader would. She’s completely right that while the other kids all get fancier weapons as their game progresses, Dirk is eternally inseparable from the same old anime sword. UU: yes, i’m sUre new eqUipment woUld come in handy. UU: now that yoU mention it, well before i died or even realized i woUld not live to play, i made special exception to my rUle of staying linear with conversation. i messaged jane a birthday gift. UU: yoU see, i had a brief vision from skaia which sUggested to me she coUld Use a boost in morale on this special day, so i offered her something very dear to me. jUst a little token to show appreciation for her friendship. UU: i hope it will cheer her Up, and moreover that it will prove at least somewhat UsefUl to yoUr party. UU: bUt really, at this stage if yoU wish to prevail against sUch stacked odds, collecting boons sUch as new weapons and treasUres will only go so far. UU: i think yoU will need to embrace a far more sUbstantive gambit. Imagine me making queasy disgruntled noises with my mouth. That’s how I feel about this passage right now. I am sort of freaking out imagining a huge mess of pink and green emerging from my computer screen, accompanied by cupcake Jane’s enormous smile and beige skin. TG: like what TG: omg are we gonna have to enlist fefeta TG: is fefeta the secret weapon TG: its fefeta isnt it TG: poor, sweet, dear, precious fefeta 😦 You’re so close, Roxy! YOU’RE SO CLOSE!!!!! I wonder if Hussie at this point had already planned to connect Nepeta and Lord English just like fans joked about so long ago. Maybe that was one of those things he figured out naturally as the comic progressed and that’s how Davepetasprite^2 came to be? UU: it is not fefeta!!! UU: i am sUggesting a measUre that is mUch more extreme. UU: i believe yoU shoUld all strongly consider ascending to the god tiers. TG: oh TG: ok that sounds cool what do we do UU: well of coUrse it soUnds cool! bUt it’s not necessarily as easy as it soUnds, steeling oneself for death. believe me. UU: bUt if yoU can find the resolve, then here is what yoU mUst do. UU: since none of yoU have any dream selves left, it won’t do any good to sacrifice yoUrselves on the qUest beds foUnd on yoUr respective planets. UU: and even if yoU did, there is not even a battlefield from which to rise anew. no, yoUr void session had only one path to ascension all along. UU: yoU mUst travel to the centre of the moons of prospit and derse, and there in the crypt yoU will find yoUr sacrificial slabs. yoU mUst lie on them, and then… UU: then yoU all mUst die. one way or another. u_u This bit is pretty cool because it finally gives an official name to the alternative to quest beds that allowed Aradia, Rose, and Dave to reach god tier. I feel that a proper exposition on sacrificial slabs was long overdue; Aradia’s ascension to god tier is especially confusing to first-time readers. Calliope is the perfect character to talk about this topic, and now is a good time for her to do so.
Calliope goes on to foreshadow and hint at more plot stuff I don’t have much to say about. She talks more about Lord English and the Condesce and implies through mention of multiple villains that there’s another unmentioned villain under English’s command; readers are likely to think of the alpha kids’ Jack Noir, who we saw some suspicious images of not long ago.
After a few more moments where Roxy and Calliope talk about how much they trust each other, Calliope suddenly freaks out about something.
UU: WHAT IS *SHE* DOING HERE??? After Calliope fed readers a whole bunch of juicy meat, it’s time for Rose’s appearance to dangle some delicious candy just too far away from readers to reach.
ROSE: Mom?ROXY: mom? This moment, holy shit. It’s so sweet and must be surreal for both Lalondes.
Just look at Rose and Roxy’s smiles. Cuteness that transcends words.
CALLIOPE: NO NO NO NO NO! THIS WON’T DO AT ALL! CALLIOPE: A LIGHT PLAYER? A LIGHT PLAYER??? CALLIOPE: HAVE YOU GONE MENTAL? WHY DON’T WE JUST BURN A BLOODY BONFIRE IN HERE! CALLIOPE: HE’LL SPOT US ANY MINUTE! ASSUMING HE ISN’T ALREADY ON HIS WAY TO BLOW US ALL TO KINGDOM COME!!! But not so much for Calliope, who FREAKS THE FUCK OUT at the sight of a light player. If you take a moment to think about who else is a light player, you’ll probably either fear the worst for Vriska and company who are also looking for Lord English, or look at Calliope funny for being so concerned with players’ classpects.
Poor Roxy and Rose. This is the second time a reunion between them is cut short, and it won’t be the last (or the saddest).
Alternian text: YOURE WELCOME
Roxy wakes up in her jail cell and notices a folder from the Condesce. It’s one of many times in this act where the witch is portrayed in a more humorous light. Just look at the fuchsia lip markings, GIFs of her deceased clown presidents dancing, flashing boondollars, and decoration with sea creatures.
Roxy is the best at “done with your shit” faces.
The folder has instructions for Roxy to do something “stupid and impossible”, so she throws it aside. As she talked about with Calliope in a part I skipped over in this post, she doesn’t want to use her void powers when it’s to serve a genocidal alien queen. This little stretch of pages establishes that Roxy despises the Condesce the most of the alpha kids, which suggests that at this point Hussie had already planned for her to be the one to kill the empress.
Roxy then gets some gifts from the Droll: Dad Crocker’s PDA and a magic ring. She’s confused by all these, and readers probably will be as well.
The Droll is dressed like his Midnight Crew counterpart too, except he’s more free to demonstrate his love for ridiculous hats. I can only imagine him begging his superiors to let him wear a ridiculous hat; after some negotiating, the Dignitary probably let this one slide. Yet another perfect crime successfully perpetrated. And by crime, you guess you mean order from a superior. In your experience, the best crimes are the ones which are totally legal. You are so satisfied with your accomplishment, you cannot contain your exuberance for another second. You have no choice. You absolutely must do the happy umbrella dance, professional protocol be damned. Oh shoot. It seems you have misplaced your BULL PENIS UMBRELLA. There will be no dancing today. Now you’re sad. The callback to Clubs Deuce’s bull penis cane is much funnier if you know the story behind it. As Homestuck Book 2’s commentary states, Deuce in the Midnight Crew intermission used a cane for one purpose or another, then Hussie realized that the picture he found was a bull penis cane, so he made a panel where Clubs Deuce realizes the same and freaks out. It’s clear that Hussie found that incident just as funny a few years later and took the opportunity to call back to it in a line that makes spectacularly little sense out of context. I’m stopping here, right before Roxy pesters Dirk. This post was a lot of fun to write! See you next time as Dirk, Dirk, and Dirk have an existential confrontation that ends up bringing one of the funniest characters in Homestuck into existence. >> Part 95: The Bodybuilder’s Triumphant Return
Pages 4878-4924 (MSPA: 6778-6824) (dear god how did I go over a week without fixing those question marks and all those other mistakes at the start of the post)
You wake up locked in a deserted jail cell…
We now start this whole Jailbreak throwback interlude with Jack in his jail cell and yeah I have basically nothing to say about this. I guess I could say that when I first read the comic I thought this was supposed to be 40 pages of Jake reading Jailbreak on his computer. Don’t get me wrong, I make dumb misconceptions like this all the time.*
* For instance, if you don’t mind me talking about Undertale I thought one of the royal guard guys was that Alphys person people were talking about and that I’d have to kill them and go through a bunch of emotional bullshit like I did with Undyne.
Also my first impression of practically everyone in the game was that they’re evil and/or creepy.
My anniversary special post is coming up next, either on Sunday or on Tuesday. Are you ready?
We now switch focus to Dirk’s dream self, and the big thing I notice here is that all but a few items are tinted red: the ones that aren’t are the rocket board, Minihoof, the Dersite newspaper, Cal, and Dirk himself. My guess as to why that is is because the colored objects are items specific to the dream world, not just projections of his own possessions. The deal with the apparently “real” version of Cal in his dream self’s room is never explained, which is a bit of a plot hole: we don’t know if it’s empty or full, let alone what happens with it, and I can only assume it isn’t a projection because of its coloring.
As for the other objects being colored, Minihoof is probably colored because it’s a living being, the Dersite magazine is obvious, and I’m not sure about the rocket board. I do recall that he later uses it to travel to Roxy’s home and decapitate himself and all that and…
Wait a minute. I think I know why it’s colored like that. I’m pretty sure his dream self uses that thing in the Unite Synchronization sequences as well to pick up Roxy and Jane, and it’s definitely distinct from the waking world rocket board. With that in mind, maybe the board is colored because of its use in that sequence and how it’s taken to the real world in Jake’s island? My bet is that the waking and dreaming world rocket boards are one and the same, with the dream one making it to Dirk’s room with a reckoning portal and becoming the waking one.
In a callback to a scene in the trolls’ arc, Jake discovers a grumbling giant version of Karkat’s lusus. Presumably the callback is there to make it extra obvious those are the trolls’ lusii—this isn’t the only time such a thing is done.