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Act 6 Act 5, Part 2 of 6
Pages 5572-5634 (MSPA: 7472-7534)
“Nostalgification” is totally a real word, I swear.
Years in the future…
After a bunch of pages that were mostly romance drama and hints at the Condesce’s machinations, it’s time for a fun throwback. The image shown above depicts Roxy’s carapacian neighborhood on a rainy evening, just like how Rose’s house was in the early acts. This whole scene is going to be a lot of fun, I can tell.
I forgot how cute Roxy looks in her starting outfit, my god. Full disclosure: for me, a fictional girl’s cuteness is mainly determined by whether or not she wears tights.
It’s time to read Wizardy Herbert! You might already know that Wizardy Herbert is the name of one of Hussie’s pre-MSPA works. It’s an unfinished Harry Potter parody story with wild metafictional elements and overall insane nonsense. It is my understanding that Hussie in real life never cared much for wizards and decided when writing both Wizardy Herbert and Homestuck to crudely parody the fondness people have for them.
I don’t care much for wizards personally.
But this story? An absolute laugh riot that somehow doesn’t have a fanmade full version.
Oh boy, guys. I’m going to take you for a wild ride and dissect the HELL out of this story. I hope you’re ready for heaps of comparisons with the fanmade full version of Detective Pony, which I treat as canon in this post series.
“i think you were supposed to just tackle him,” beatrix said looking all kinds of put off.
“all kinds of put off” is such a Roxy thing to say. The first sentence of this page already sets the stage for her absurd story perfectly.
wizardy herbert reached down to the body of the fictional camper he just shot and picked up the flag. “same difference.”
“this is some lame magical version of capture the flag. the book wanted me to capture the flag from him. the flag has now been captured. anyway, hes just a kind of brainless puppet.”
“then what are we?” she asked.
“i dunno. brainless puppets whove spent a few years in the real world. kind of like everyone else, i suppose.”
When you’re talking about metafiction, the “real world” can mean a lot of things. I can’t quite tell what that phrase refers to here; I assume Roxy’s story established that phrase’s meaning at some point before this page. Unlike with Detective Pony where we only saw the first few pages and got a rough description of the rest, we’re treated right away to the portion of Wizardy Herbert where the story has fallen apart and the title character is debating with his female companion about the nature of their story.
“jeez thats cynical. anyway, youre the one who said we should let the story play out the way its supposed to. im just pointing out your own rules.”
I love how Beatrix’s reaction to Herbert’s metafictional nihilism is nothing more than “jeez thats cynical”. This is another bit that helps establish the story as a playful but earnest exploration of the nature of metafiction.
“ehhh.” herbert made a dismissive gesture with his smoking gun. “these punks were starting to get on my nerves. we’re making progress anyway. see? listen to that. russets scene is coming up. if i remember right this is the one that introduces his recurring love interest. also i guess the chief bad guy. i mean, sorta.”
At this point, both Herbert and Beatrix are playing common roles in meta stories: Herbert as the extremely meta-aware hero/villain, and Beatrix as his loyal but oft-questioning assistant. Dirk invokes these roles both in Detective Pony and in the Meat Epilogue; the former role always with himself, and the latter role variously with Minos, Jeanne Betancourt, and Rose. In the Meat Epilogue, he takes advantage of the traits Rose has in common with him as well as her declining health so that she can play the role of the meta assistant and then get a fresh new robot body. Now that I think of it, it’s rather heteronormative of Dave at the end to think Rose and Dirk might be dating just because of these tropes. Normally he’s as woke as can be about LGBT topics; maybe he thinks Dirk’s mindset has changed simply because he’s so far up his own ass with self-importance.
This page of the story continues with double narration between Roxy’s usual writing and nonsensical SBaHJ-style Comic Sans writing. It’s clear that Sweet Bro and Hella Jeff cracks Roxy up just as much as the beta kids, which is very cute. The characters written SBaHJ-style are even more fake and confusing than the “normal” ones. I have no idea what’s going on now, other than that one of the Comic Sans characters is described as a handsome young man with black hair and glasses, which will soon lead to an allegorical exploration of John and Roxy’s relationship—perhaps a forewarning of what may become of it.
“why beatrix” he said with a super sly smile. “if i didnt know better, id say you were taking some enjoyment from watchin your dear pal russets smackdown.”
“what? no!” she didnt let go of his arm. but he wouldnt quit his douchey smile. she went on. “you cant just keep offing fictional characters. its… i dunno. irresponsible.”
“besides you know the scene is supposed to play out like this. russet is supposed to get rescued. how is he supposed to get rescued if the bullies are dead? you cant just go around changing things.”
“i guess youre right.”
herbert holstered his gun admiring a few more choice sucker punches to russets midriff. OOF. that onell leave a mark. beatrix regained her calm. “so whos this guy thats supposed to save him?” she asked. “you say hes the villain?”
“here he comes now.”
Herbert’s shameless defiance against the story’s supposed rules reminds me of Caliborn, which makes sense because he and Dirk are alike in some ways, and because B2 Rose’s stories are also filled with cherub allusions.
Not understanding how sports work is something Roxy and Dave have in common.
Roxy skips ahead a few pages and now Herbert and Beatrix are dressed up to play some SPORTS. The Harry Potter satire is painfully obvious here—Quidditch is a staple of the series, even I know that—as is the fact that Hussie doesn’t like Harry Potter very much. As with Cronus’s backstory, elements everyone knows are incorporated and blatantly made fun of but none of the deeper plot seems to be referenced. I know this because if the plot of Harry Potter was deeply woven within Homestuck, then TV Tropes would be littered with comparisons between the two.
“russet! answer me!” beatrix demanded. “why the heck didnt you tell us? or tell grant for that matter?”
herbert wasnt paying much attention. so russet was moody and cryptic and didnt tell people some stuff. what a bombshell. he worried at one of the springs poking out of his ridonkulous ball. it made a sproinging sound like a mouth harp and broke off. he wondered if the springs served any actual purpose. the springs did not serve any actual purpose.
“how could you keep something like that from everyone? that you knew all along?”
“i just wanted what was best for grant” he finally said.
she had tons of questions but couldnt settle on the next one to ask. she wasnt about to let good body language go to waste so she did kinda what mimes do when they dont like something you said. how long did he know grant was from this dogshit wizardfic? howd he escape in the first place? was it really his spell that sealed them here? how long had he been planning this? she guessed that would explain why he had an absurdly obvious pseudonym. grant anonama? yeah like THATS a real name. great job bro, or should she say SLINUS. she wondered if his bogus name wasnt an anagram for something. like a clue dangled under their noses. magic bad guys do love their anagrams. they are just so damn clever and when you finally figure them out its like whoa INSTANT MINDFUCK.
Roxy’s writing continues to be a mix of Rose and Dave, in all the opposite ways from how Dirk’s writing is. Her use of serial rhetorical questions reminds me of Rose just as much as her sarcastic commentary on narrative tropes reminds me of Dave. I’ve said before that it’s kind of funny Roxy and Dirk seem to inherit traits from both their respective ancestors when it’s technically the other way around.
Skipping a bit…
it was time to go. the narratives invisible conductor let them know with the arrival of a carriage. it was drawn by two floating, perfectly immobile wooden horses. herbert read this thing a hundred times but still couldnt understand the authors fascination with flying rigid wooden horses.
This passage is obviously a self-deprecating jab at how much Hussie loves joking about horses, but its in-universe purpose is a bit less clear. I wonder if Roxy incorporated horses in her story to obliquely vent about her hopeless crush on Dirk? She knows very well that Dirk is a fan of horses and might even be playfully referencing Detective Pony.
Roxy skips to the end of what she has so far and oh my god, what is this. Herbert and Beatrix are freaking out and flailing their arms, but the horses’ facial expressions are blank as ever. It’s clear from this image that Roxy doesn’t have Dirk’s deep, resounding appreciation for horses. If Dirk drew this panel, the horses would be the ones freaking out.
“herbert watch where youre going!”
“i cant. i think the book wants us to crash.”
beatrix thought about it. she almost kicked the sides of her inert stallion to prod it along but caught herself. “do we really have to?”
Here’s where we see Herbert suddenly had a change of mind regarding narrative rules. At first he brutally disobeyed what was meant to happen, but now to Beatrix’s surprise he’s following the rules.
herbert shrugged. another solid half minute of awkward horse advancement went by before the creaking oaken collision. herbert tumbled through the air and hit the grass pitch hard on his back. beatrix landed on top him. they founfd each other face to face.
“is she serious with this?” she asked regarding the hella subtle way the author decided to craft this situration*. situation. is was like, popetry in motion. plus hornses(???)
“im afaid* so. i think the story is builting romantic tension between us.”
“it IS?” it was not a question. but a statement of major concorn. *cern
“yeah. it it establushing* the groundwork for romance beween our characaters. its sort of the one token heroterosexual** romance in the book. we probably jush have to ride it out”
Read this passage and tell me, TELL ME, it isn’t an accurate retelling of how John and Roxy’s relationship plays in the Candy Epilogue. Their relationship is a perfect example of a “token heterosexual romance”, so it’s only natural that it’s deconstructed to hell and back once they get back together. John is disconcerted by how easily their relationship happens but goes along with it because he thinks that’s how love is supposed to feel; Roxy is overcompensating for her grief over ruined friendships and Dirk’s death, which further hurts their relationship.
beautrix dinit* dint kno whaf*T the felling of collor red wash…. but
she cloun*cloud*COULD swear the fleling
she could swar
(RAAARARRAAUUUAAAAUUAGHGHGGHGGGGHHGH DOINT WRITE WHILT DRONK U LUSHEY DUMBO)
Roxy’s writing becomes more and more drunk as Herbert and Beatrix are about to have their romantic climax, which is again much like how romantic relationships in Homestuck work. Though this page of the story is mostly an allegory for John and Roxy’s relationship, this last passage most closely matches Rose and Kanaya, Homestuck’s token lesbian romance. As I’ve said in a few recent posts, these two ships have a lot of parallels that come to full light in the Candy Epilogue.
Well this sure was fun. I’m glad I got to the Wizardy Herbert section now instead of earlier, because in recent months I’ve written some metafictional stories inspired by Detective Pony and the Homestuck Epilogues that I haven’t shared with the public because they’re incredibly stupid. I can confirm that metafiction is both incredibly fun to write and incredibly easy to get carried away with. I’ll also say that although I have inserted myself into my metafictional stories, it’s always a different character who has the most meta knowledge—not because it would be too self-indulgent for my self-insert to know all the meta stuff, but because I think it’s way funnier if another character does.
Your home suddenly loses power due to the storm. Which… makes no sense? All devices in your house are powered by the portable green hubs you stole from the lab. That’s weird.
Your laptop continues to run on battery power regardless.
This is a crazy cool throwback. It’s sure to remind readers of Rose’s story in the early acts, where a storm was causing her house to lose power and impeding her progress on starting Sburb. I must say, it’s incredibly refreshing to have a throwback arc after a bunch of annoying romance drama.
Roxy answers UU and it doesn’t take long for the conversation to diverge from whatever it was originally going to be. She realizes she isn’t drunk and that she somehow knows Calliope’s name.
Calliope says nothing but ellipses as Roxy observes the Furthest Ring’s damage. Roxy is given lots of commands in this dialogue sequence, but her responses to those commands are generally in dialogue instead of narration. Roxy’s monologuing is a substitute for second-person narration, which is done several other times in mid-to-late Act 6 like when Dave examines his old bedroom and breaks into tears about his old ironic nonsense, or during John’s entire retcon mission. I wish the Act 6 Act 6 intermissions had some amount of commanding characters like this instead of just constant [A6A6Ix] ====>; it would have livened things up quite a bit. I’m glad full-out second-person narration was brought back at the start of the epilogues.
Callback to a panel where Rose holds a crystal ball.
When Roxy finds Twinkly Herbert, Calliope starts talking in Morse code through… Herbert’s soul or consciousness or something? I’m not going to bother trying to explain this odd bit, but I will say I like how every dream bubble scene in Homestuck brings something new to the table of bizarre dream logic.
Calliope through Twinkly Herbert explains to Roxy that they both need to keep a low profile because Lord English is wreaking havoc upon the Furthest Ring in search for his dead sister.
Because of the ways WordPress automatically converts hyphens into dashes, I’ve decided to turn all the hyphens in Calliope’s Morse code text into en dashes manually.
(I know you were just DYING to know that.)
TG: (the fuck?)
TG: (what happened to my house)
TG: (some stuff is different)
TG: (i dont remember this)
TG: (callie do you know whats going on)
UU: –. ––– [no.]
UU: –... ..– – / .–.. . – .––––. ... / –.– . . .––. / ––. ––– .. –. ––. [bUt let’s keep going.]
TG: (and what am i even wearing)
TG: (what are these clothes?)
UU: .. – / .– .––. .––. . .– .–. ... / – ––– / –... . / – .... . / ––– ..– – ..–. .. – / ––– ..–. / .– / ..–. .– ... .... .. ––– –. .– –... .–.. . / ... –.–. .. . –. –.–. . / .–– ––– –– .– –. ? [it appears to be the oUtfit of a fashionable science woman?]
TG: (oh yeah)
TG: (like a sexy science lady suit)
TG: (thats p cool i guess)
Here’s where things start to get fun. Roxy is now exploring Rose’s old house, which is even darker than it was when Rose explored it in the early acts. She’s dressed as her pre-scratch self which adds to the nostalgia and makes it feel like we’re exploring Rose’s house from her mother’s perspective. This is a rare occasion when characters in dream bubbles get to play the roles of their alternate selves, which hasn’t been explored much elsewhere aside from a few scenes with Aradia. I’ve accepted by this point that dream bubbles work in whichever way is most convenient for the scene.
It’s obvious through any scene involving the Lalondes that Hussie himself hates wizards.
Next comes a funny moment where Roxy examines one of her pre-scratch self’s wizard paintings and cracks up.
TG: (heck yes)
TG: (hes so perf)
TG: (callie check him out)
UU: ..– –– [Um.]
TG: (that aint even a painting)
TG: (ahaha its so shitty)
TG: (did someone like)
TG: (grab a random ass low res wallpaper off the internet)
TG: (of a jolly wizard doing what appears 2 be the worlds dumbest spell)
TG: (and saved at low quality then just like)
TG: (printed it way too huge)
UU: –––... ..– [:U]
TG: (its not even scaled proportionately)
TG: (its stretched extra wide to fit this expensive as fuck frame)
TG: (is that shit like)
TG: (literal solid gold)
TG: (ahahahahah i cant even deal)
TG: (whoever did this was a wonderful genius)
I like the implication that Rose’s mother wasn’t just a lunatic who freely collected all things wizard-related, but perhaps had a sense of humor about it all and took delight in the absurdity of old-timey wizard paintings.
Even though she’s mostly seen here cracking jokes about these wizards, it’s clear that Roxy truly thinks wizards are cool and badass.
This is such a great spooky panel.
Roxy sneaks by the corridor and here’s a fun callback. She catches a glimpse of the Condesce, just like Rose caught a glimpse of her mother so long ago. Calliope clarifies that the Condesce is only there through subconscious memories, which tells readers that this scene is there just for spooky flair.
Roxy makes her way to the observatory… or is it? The observatory symbol from Rose’s house is replaced with the cherub spiral, which signifies that things are going to be a bit different.
Note the candy flowers below the door. Are there meat flowers on the other side?
And HERE’S where things get extra fun. The memories transition to Calliope’s art style, which is another thing that’s never been done before. Calliope’s dream bubble scenes in her art style are a lot of fun and there’s going to be a few more in later acts.
There are totally meat flowers on the other side. It makes thematic sense and I feel like a genius for figuring it out.
Roxy exits the door and starts walking down a white spiral which is fun. This scene has lots of great art, especially that last panel above.
Calliope’s ghost’s visual appearance is a surprisingly spooky image which I think is a callback to at least five other panels.
The moment Roxy turns around, Calliope changes into her trollsona outfit. I think I now understand the point of that whole arc with Calliope’s appearance insecurities and Roxy’s sugary encouragement: it’s a counterpoint to John/Roxy, the token heterosexual romance as we all know. You could argue John and Terezi’s relationship is also a counterpoint to the token heterosexual romance, but that’s different because it’s an objectively better ship.
I’m going to be honest here. The art is by FAR the coolest thing about this sequence so far. It’s way more stunning than it has any reason to be, because all that’s happened so far is Calliope expositing about stuff we mostly already knew about Lord English and Roxy’s role as a void player. I’ll go through this exposition anyway because I’m kind of obsessed with Caliborn.
UU: on the day he foUnd a way to kill my dream self, i was done for. thoUgh to be honest, i doUbt i’d have fared mUch better regardless.
UU: i think his half was always meant to predominate.
UU: my will was simply not strong enoUgh to overcome his. yoU know as well as i how stUbborn he is. i don’t think he has ever had even a smidgen of doUbt in his thoUghts, or remorse for his deeds. whereas i was always plagUed by sUch feelings.
Calliope’s talk about Caliborn reminds me of his story as an artist. We saw in his conversation with Jane that his stubbornness works in his favor when it comes to art; he starts the story incapable of producing art that is even remotely coherent, but doesn’t let doubt or remorse get in the way of becoming the best artist he can possibly be. Caliborn’s tale as an artist is so inspirational I don’t even care that he wrought eternal havoc upon paradox space.
UU: on some level i always knew he woUld win. bUt i fooled myself. i thoUght i coUld overcome his ego by looking beyond his negative qUalities, staying optimistic, and working together with him in a game to accomplish something extraordinary.
UU: and that in doing so, perhaps i coUld begin to help him change. to teach him to evolve beyond his hatefUl natUre. and as he changed for the better, slowly but sUrely, he woUld become more like myself.
UU: that was how i thoUght i coUld predominate. it was how i was going to win! and really, if he grew closer to me in that way, by learning kindness and compassion, we both woUld have won. my predomination woUld not have meant his absolUte death, but oUr trUe Union.
What Calliope is saying here is that the reason her brother predominated is because she succumbed to the human emotion of “friendship”. This makes a lot of sense if you think about the timeline where Calliope predominated. The way god tier Calliope talks about her brother in the Meat Epilogue suggests she was just as good at catching his weak spots as god tier Caliborn was at catching his sister’s weak spots.
UU: bUt sadly, i Underestimated how consUmed he was with the need to destroy me.
UU: now he is completely obsessed with finding my soUl and wiping me oUt for good, even if it means tearing apart the reality that sUrroUnds Us.
UU: he will never feel he has won Until all traces of me are gone.
TG: hearing all that just makes me so unreasonably mad
TG: FUCK that shitlord
Hearing all that makes me unreasonably sad. I think Caliborn’s brain became kind of broken when he ascended to his final form and now he’s nothing more than a demon who’s out destroying everything in search for his sister.
UU: i have reason to sUspect there may be another iteration of myself oUt here.
UU: one from a doomed timeline, who has kept hidden for a long time, jUst like i have.
UU: bUt Unlike me, she sUpposedly came from a reality where she predominated instead of my brother.
UU: and not by the means which i described. hers was not a mild Union of reconciliation.
UU: amazingly, her predomination was absolUte! a major feat of will, jUst as his was with me.
UU: as sUch, she went on to play the game, and…
UU: well, i cannot even imagine what followed, aside from the fact that she eventUally mUst have died for existing in an offshoot reality.
UU: if she exists, i woUld be eager to meet her. it woUld be a chance to get to know a version of myself who was strong enoUgh to override the will of my brother.
UU: someone i might have become if i had a little more coUrage. u_u
UU: and if she is sUch a person, then i really believe all i have heard mUst be trUe. i believe she is the key to defeating him.
UU: so i have no choice.
UU: i mUst go in search of myself.
Calliope clarifies a mystery about the lost cherub plan: the cherub who can be used to defeat Lord English is an alternate ghost of herself who predominated over Caliborn. I didn’t realize alt Calliope was introduced this early; I thought it wasn’t until A6A6I4 when she was first brought up. I assume Calliope knows about her alternate self simply through her usual method of theorizing, which is good here because it turns the boring lost cherub mission into an enticing mystery arc.
Oh hell yes. I’m LOVING this outer spacey art.
TG: you sound like a real popular lady out here
TG: even you are looking for you!
Roxy and Calliope’s interactions have occasional good moments like this—emphasis on “occasional”. I’m starting to think it was the author’s intent to make them deliberately too sugary, as a counterpoint to the token heterosexual romance I talked about earlier.
TG: well i hope you can find her
TG: if thats your job
TG: to find bizarro calliope and go wollop ur bro
TG: then what is our heroic biz?
UU: it’s the same as it always was.
UU: to win the game.
TG: oh yeah
UU: it is as i once told jane.
UU: with victory yoU may finally exit this vast whirling storm.
UU: by claiming yoUr reward yoU woUld bring closUre to a very wide coil of caUsality, one not tracing a continUoUs path like a snake, bUt intricately woven like a wreath.
UU: a ring of coUntless little rises and falls, ascents and descents, on its way Up and down a pair of mUch bigger ones itself.
UU: from alpha to beta, then beta to alpha, as if a moUntain to be scaled and then climbed back down. its peak toUches the eye of a storm which cannot end Until the moment yoU all walk throUgh that door.
UU: only then will there be calm.
UU: ah, bUgger. forgive me, sometimes i forget myself and begin speaking in riddles.
UU: it’s jUst a habit that is in the natUre of my people.
TG: yeah i know
TG: at least yours r better than your bros stupid games
UU: don’t remind me. in my opinion they do not qUalify as anything of the sort, mUch the same as his “shitty twists”. >:u
Speaking in poetry definitely runs in the cherub family. Calliope, Caliborn, and the other Calliope all have a fixation on poetically retelling the events of Act 7, which is the grand culmination of all their artistic ambitions.
UU: as the one who provoked the breach in paradox space which i jUst coloUrfUlly described, he has always exerted his inflUence on yoUr realities from afar, and from many different angles. throUgh Unwitting sUrrogates, oUtsoUrced manipUlation, oUtright enslavement, and even petty harassment. bUt most of all, he prevails throUgh the simple inertia of inevitability that has always been on his side, as a lord of time.
UU: and as the one who is to blame for foolishly allowing him access to sUch power, it’s only proper that i take responsibility for finding a way to defeat him.
UU: bUt even thoUgh his methods of inflUencing yoUr session are indirect, they are still formidable.
UU: there will be a nUmber of powerfUl foes who stand between yoU and victory.
UU: tomorrow, a terrific battle will take place.
UU: when yoU wake Up, i sUggest yoU begin to prepare.
Why is it so surprising to me that ending Homestuck with Collide and Act 7 seems to have been planned this early? The battle against all the villains directly or indirectly affiliated with Lord English is indeed what stands between the kids and victory, and once the retcon is executed it all sort of… happens without a hitch??? Homestuck proper’s ending is a farce beyond farces and now that the epilogues are out I can’t help but love that.
TG: ummmm ok
TG: like make more sick gear
TG: i could hustle up another batch of illwicked guns
TG: just a big ol pile of guns
TG: jake can have the wimpy smaller ones
TG: make jane like a fancy new fork or spoon or such
TG: like an elite endgame spoon
TG: whatever that is
TG: like uh
TG: the chowderfucker 5000
TG: janey be flippin her godspoon round bopping monsters doing like
TG: CUCKOO damage
TG: wont bother make nothin 4 dirk since hes basically married to his boring anime sword
TG: like u could even pry that thing from his rad dead cadaver
Roxy knows a surprising amount about the alpha kids’ natures, as any good leader would. She’s completely right that while the other kids all get fancier weapons as their game progresses, Dirk is eternally inseparable from the same old anime sword.
UU: yes, i’m sUre new eqUipment woUld come in handy.
UU: now that yoU mention it, well before i died or even realized i woUld not live to play, i made special exception to my rUle of staying linear with conversation. i messaged jane a birthday gift.
UU: yoU see, i had a brief vision from skaia which sUggested to me she coUld Use a boost in morale on this special day, so i offered her something very dear to me. jUst a little token to show appreciation for her friendship.
UU: i hope it will cheer her Up, and moreover that it will prove at least somewhat UsefUl to yoUr party.
UU: bUt really, at this stage if yoU wish to prevail against sUch stacked odds, collecting boons sUch as new weapons and treasUres will only go so far.
UU: i think yoU will need to embrace a far more sUbstantive gambit.
Imagine me making queasy disgruntled noises with my mouth. That’s how I feel about this passage right now. I am sort of freaking out imagining a huge mess of pink and green emerging from my computer screen, accompanied by cupcake Jane’s enormous smile and beige skin.
TG: like what
TG: omg are we gonna have to enlist fefeta
TG: is fefeta the secret weapon
TG: its fefeta isnt it
TG: poor, sweet, dear, precious fefeta 😦
You’re so close, Roxy! YOU’RE SO CLOSE!!!!! I wonder if Hussie at this point had already planned to connect Nepeta and Lord English just like fans joked about so long ago. Maybe that was one of those things he figured out naturally as the comic progressed and that’s how Davepetasprite^2 came to be?
UU: it is not fefeta!!!
UU: i am sUggesting a measUre that is mUch more extreme.
UU: i believe yoU shoUld all strongly consider ascending to the god tiers.
TG: ok that sounds cool what do we do
UU: well of coUrse it soUnds cool! bUt it’s not necessarily as easy as it soUnds, steeling oneself for death. believe me.
UU: bUt if yoU can find the resolve, then here is what yoU mUst do.
UU: since none of yoU have any dream selves left, it won’t do any good to sacrifice yoUrselves on the qUest beds foUnd on yoUr respective planets.
UU: and even if yoU did, there is not even a battlefield from which to rise anew. no, yoUr void session had only one path to ascension all along.
UU: yoU mUst travel to the centre of the moons of prospit and derse, and there in the crypt yoU will find yoUr sacrificial slabs. yoU mUst lie on them, and then…
UU: then yoU all mUst die. one way or another. u_u
This bit is pretty cool because it finally gives an official name to the alternative to quest beds that allowed Aradia, Rose, and Dave to reach god tier. I feel that a proper exposition on sacrificial slabs was long overdue; Aradia’s ascension to god tier is especially confusing to first-time readers. Calliope is the perfect character to talk about this topic, and now is a good time for her to do so.
Calliope goes on to foreshadow and hint at more plot stuff I don’t have much to say about. She talks more about Lord English and the Condesce and implies through mention of multiple villains that there’s another unmentioned villain under English’s command; readers are likely to think of the alpha kids’ Jack Noir, who we saw some suspicious images of not long ago.
After a few more moments where Roxy and Calliope talk about how much they trust each other, Calliope suddenly freaks out about something.
UU: WHAT IS *SHE* DOING HERE???
After Calliope fed readers a whole bunch of juicy meat, it’s time for Rose’s appearance to dangle some delicious candy just too far away from readers to reach.
ROSE: Mom? ROXY: mom?
This moment, holy shit. It’s so sweet and must be surreal for both Lalondes.
Just look at Rose and Roxy’s smiles. Cuteness that transcends words.
CALLIOPE: NO NO NO NO NO! THIS WON’T DO AT ALL!
CALLIOPE: A LIGHT PLAYER? A LIGHT PLAYER???
CALLIOPE: HAVE YOU GONE MENTAL? WHY DON’T WE JUST BURN A BLOODY BONFIRE IN HERE!
CALLIOPE: HE’LL SPOT US ANY MINUTE! ASSUMING HE ISN’T ALREADY ON HIS WAY TO BLOW US ALL TO KINGDOM COME!!!
But not so much for Calliope, who FREAKS THE FUCK OUT at the sight of a light player. If you take a moment to think about who else is a light player, you’ll probably either fear the worst for Vriska and company who are also looking for Lord English, or look at Calliope funny for being so concerned with players’ classpects.
Poor Roxy and Rose. This is the second time a reunion between them is cut short, and it won’t be the last (or the saddest).
Alternian text: YOURE WELCOME
Roxy wakes up in her jail cell and notices a folder from the Condesce. It’s one of many times in this act where the witch is portrayed in a more humorous light. Just look at the fuchsia lip markings, GIFs of her deceased clown presidents dancing, flashing boondollars, and decoration with sea creatures.
Roxy is the best at “done with your shit” faces.
The folder has instructions for Roxy to do something “stupid and impossible”, so she throws it aside. As she talked about with Calliope in a part I skipped over in this post, she doesn’t want to use her void powers when it’s to serve a genocidal alien queen. This little stretch of pages establishes that Roxy despises the Condesce the most of the alpha kids, which suggests that at this point Hussie had already planned for her to be the one to kill the empress.
Roxy then gets some gifts from the Droll: Dad Crocker’s PDA and a magic ring. She’s confused by all these, and readers probably will be as well.
The Droll is dressed like his Midnight Crew counterpart too, except he’s more free to demonstrate his love for ridiculous hats. I can only imagine him begging his superiors to let him wear a ridiculous hat; after some negotiating, the Dignitary probably let this one slide.
Yet another perfect crime successfully perpetrated. And by crime, you guess you mean order from a superior. In your experience, the best crimes are the ones which are totally legal.
You are so satisfied with your accomplishment, you cannot contain your exuberance for another second. You have no choice. You absolutely must do the happy umbrella dance, professional protocol be damned.
Oh shoot. It seems you have misplaced your BULL PENIS UMBRELLA. There will be no dancing today. Now you’re sad.
The callback to Clubs Deuce’s bull penis cane is much funnier if you know the story behind it. As Homestuck Book 2’s commentary states, Deuce in the Midnight Crew intermission used a cane for one purpose or another, then Hussie realized that the picture he found was a bull penis cane, so he made a panel where Clubs Deuce realizes the same and freaks out. It’s clear that Hussie found that incident just as funny a few years later and took the opportunity to call back to it in a line that makes spectacularly little sense out of context.
I’m stopping here, right before Roxy pesters Dirk. This post was a lot of fun to write! See you next time as Dirk, Dirk, and Dirk have an existential confrontation that ends up bringing one of the funniest characters in Homestuck into existence.