Cookie Fonster Dissects Homestuck Part 87: The Mental Breakdown to End All Mental Breakdowns

Introduction

Part 86 | Part 87 | Part 88 >

Act 6 Intermission 3, Part 2 of 6

Pages 5264-5307 (MSPA: 7164-7207)

Alternate post title: Con Air – It’s No Masterpiece
Alternate post title 2: John Egbert Dissects Con Air
Alternate post title 3: Ghost Butt Speculation Station

Five years and one day ago, I started reading Homestuck for the first time. I can’t believe I’m still obsessed with it after all this time. Enjoy this post as a five-year celebration of sorts! I wrote the whole thing on vacation, then made a few revisions at home.

September 18 will be the fourth anniversary of my Homestuck blog post series. I think it would be fun to get to the end of Homestuck’s fourth year on that day, but that’s 900 pages away so it probably won’t be possible unless I REALLY pick up the pace.

You pause your adventure through the afterlife because you’ve been at it for way too long already. You’ll get back to this in a little while. You just know more of your dead loser friends are lurking in this area. You can feel their lameness emanating from beyond the grave. You can also feel it emanating from within the grave, which is good, because that’s where you are. The grave. 

The page that immediately follows Openbound Part 1 tells readers that we’ll be getting back to meeting the Beforan trolls in not too long. Another bit that was most useful for serial readers at the time.

What we REALLY need to do is see what John’s been up to. It almost feels like it’s been a year since we saw him. Hell, it’s probably his birthday again. When is it ever NOT John’s birthday???

Um, I’m pretty sure November 2016 was way more than just a year ago.

Jokes aside, “when is it ever not John’s birthday” is a damn good question. It’s incredibly disorienting whenever a part of Homestuck doesn’t take place on his birthday. I like to assume Harry Anderson Egbert was also born April 13, because of how much of the Candy Epilogue takes place on his birthday.

It is indeed John’s birthday; his fifteenth, in fact. To celebrate, we’re treated to an enormous zoom-in to the Prospitian battleship he and Jade have been living in. Act 6 Intermission 3 has quite a few lengthy art sequences, only befitting of an act that experiments HARD with storytelling style.

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Cookie Fonster Critiques Homestuck Part 10 Rewritten: Scene Hops and Father Revelations

Introduction

Part 9 | Part 10 | Part 11 >

Pages 836-951 (MSPA: 2736-2851)

Act 3, Part 2 of 5

Link to old version

Previously on Cookie Fonster Critiques Homestuck Rewritten:

See you next time as we frantically switch back and forth between a whole bunch of different characters like the Easter Bunny running late for his annual job of delivering candy and eggs to the world’s children, this time during an actually fitting time of year. I wish I could say I had planned my post schedule to make the Easter joke work, but nope, just an incredibly lucky coincidence.

*clears throat*
*puts on pretentious narrator voice*

The day is June 5, 2019, and the Easter Bunny is displeased. He got so distracted reading and rereading the Homestuck Epilogues that he’s now over a month late for his annual job of delivering candy and eggs to the world’s children!!! So late, in fact, that a monkey took over Easter this year and delivered yummy bananas instead. Kids all around the world now eagerly await the Easter Monkey next year, much to the Easter Bunny’s contempt. The Easter Bunny shall exert revenge on this frisky little monkey by, um…

by…

writing more blog posts about Homestuck?

In this blog post, I am the Easter Bunny. It’s me. And I am going to announce that I think I’m now ready to resume my Homestuck blog post series. Maybe not on a custom web domain just yet, that’ll have to be in the future. I’ll just dive right in, conveniently avoiding the fact that I’m procrastinating on the post with the Unite Synchronization flashes and Caliborn: Enter.

PLEASE WATCH THIS YOU WON’T REGRET IT

It’s time for Dave’s guardian strife! And it’s not interactive this time. Rather, it’s a full-out flash of Bro Strider flash-stepping and puppeting Lil’ Cal, who ends the flash flailing his legs over Dave.

My reaction to this flash when I got to it in my original Homestuck post series really sticks out in my head and probably happened because it hadn’t been all that long since the grand Dave/Dirk reunion update. I was floored and breathless at how aggressive adult Dirk is. Is there a word for standing with an open mouth and breath held while watching something tense and aggressive? If there isn’t, then that’s one more reason to hate the English language.

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Homestuck Epilogues Addendum Post: The Deal with Jade

Content warning: This post contains some discussion of sexual content, starting from the header “The Candy (in Candy)”. Read at your own discretion.

In the past week, I’ve barely thought about my blog at all and will probably continue not thinking about it for quite some time. My Homestuck post series’ hiatus might last longer than I initially thought; I can’t see myself bringing it back anytime soon.

But despite not thinking about my blog much, I’ve most certainly continued reading the Homestuck Epilogues over and over again. And I think I know exactly who it’s time to talk about.

The Not-So-Wonderful World of Shafted Characters

Enter Jade Harley, the character who’s been an odd spot in the comic’s sprawling cast since day one. She starts as basically just a plot device but becomes a genuine wonderful character in Act 5. But after that point, she gets an upsettingly small amount of screen time and is rudely stripped from the on-screen dialogue reunions most everyone else gets. And by the time Collide and Act 7 happen, the comic has done away with dialogue. Yeah, that sure is fun.

So obviously, one of my biggest hopes for the epilogue was that Jade would get a full strong resolution, perhaps with dialogue “reunions” she should have gotten or with a major new role in the storyline. Jade did get plenty of dialogue early in Meat and some in Candy and it was pretty great, but what ultimate resolution did her character get? Fucking nothing!!! No resolution in Meat, no resolution in Candy.

The epilogues did a LOT of things right, don’t get me wrong. Each of the twelve creators on Earth C gets a good share of screen time and I think the epilogues are reasonably balanced in that regard—far more balanced than late Act 6 was. But the epilogues are incredibly imbalanced in giving characters resolution. Some characters had an astounding resolution arc that far surpassed my already high expectations!!! But for one reason or another, some characters get the opposite of resolution arcs—you probably know who I’m talking about. I’ll have to talk about those another time. And as I said before, Jade doesn’t even get a resolution. I’ll discuss exactly how she doesn’t get a resolution, first in Meat and then in Candy.

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Cookie Fonster Critiques Homestuck Part 9 Rewritten: Air for Eclectic Fursuits

Introduction / Schedule <- still using, for now

Part 8 | Part 9 | Part 10 >

Pages 759-835 (MSPA: 2659-2735)

Act 3, Part 1 of 5

Link to old version

A few days (feels like a few months) later edit:
I am really fucking glad I made this post BEFORE the epilogues came out. Dear god Jade, what happened to you.

Augh…

I so badly wanted to finish Act 6 Act 3 in my classic posts before 4/13. That didn’t work out, so I wanted to finish it at least before I started Act 3 in my rewritten posts. But I can’t help myself from dwelling on the past more. Maybe it’s best that way, actually. Act 3 is light on dialogue and won’t make me sad to reread considering the nostalgic content in the epilogues so far, definitely not as much as Act 1 or 2. And this post focuses on Jade, who we haven’t heard from in the epilogues yet, so it all works out. The bit that’s left of Act 6 Act 3 is two big flashes, one last pesterlog, and a WHOPPER flash. As much as I love those three flashes, I don’t think I have the investment to dissect them right now, especially not without the readmspa.org storyboards handy. I’ll figure something out later, OK?

Oh who am I kidding. Nobody gives a crap which posts I prioritize. But I know for sure that there’s lots of people who give a crap about my posts in general, even if they don’t say as much. Come out, come out wherever you are!

Enough of me being an idiot. Let’s get on with this post.

Before Act 3 proper starts, we take a look inside the old copy of Sassacre’s, where old lady Jane wrote a note for her grandson.

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Cookie Fonster Critiques Homestuck Part 7 Rewritten: What Sword?

Introduction / Schedule (outdated)

Part 6 | Part 7 | Part 8 >

Pages 562-665 (MSPA: 2462-2565)

Act 2, Part 4 of 5


Link to old version

Haha… haha… ha ha … ha …….

Dave explores the rest of his living room and here’s where the creepiness factor escalates. It all starts with this moment:

> Dave: Take expensive ninja sword.

What sword?

This page is a shockingly simple way to establish the day-to-day nature of Dave’s home life.

As I said in my first rewritten post, early Homestuck has a habit of revisiting the running gags of the prior adventures and giving them a new context. Every instance of the “what pumpkin?” gag in Homestuck has some broader reason behind it, sometimes involving technology. This instance of the gag is a character establishing moment for Dave’s bro.

When I got these pages in my old posts, I was nothing short of creeped out. Maybe it’s because two pages in a row show Bro flash stepping and moving stuff around, subverting all expectations in the process.

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Cookie Fonster Critiques Homestuck Part 6 Rewritten: Imp Madness and Can Openers

Introduction / Schedule <- outdated

Part 5 | Part 6 | Part 7 >

Act 2, Part 3 of 5

Pages 429-561 (MSPA: 2329-2461)

Link to old version

Again, I don’t have any good ideas for a new post title so I’m using the old one.
I considered “The Can Opener Dilemma” but then I realized that’s just a discount version of the old title.

My week without writing Homestuck posts was pretty nice, now back to business. I worked on some cool projects, but not the ones I originally intended to work on. And read some books. And also wrote this post over the course of one weekend.

Oh God dammit, that’s just what you need. More baked goods.

“thats classic john though he doesnt get pissed about anything except for the absolute dumbest shit” —Dave Strider

Where we left off, John was punched cold in the face by the revelation that he is not going to save the world. This massive twist caused John to go full circle, all the way back to freaking out just because he’s a little overexposed to baked goods. Whenever John has a mental breakdown or is upset by something, he finds something mundane and takes out all his anger on it.

Let’s take a moment to appreciate what Rose is sitting on.
Let’s also take a moment to appreciate Rose in general.

Perhaps you will take this spare moment to contemplate the Nannasprite’s strange tale. 

Yeah, still have no idea how Rose heard every word of Nannasprite’s story just like John did. I guess it’s not an important detail; sprites do whatever the story wants them to.

It may also behoove you to record your thoughts on these developments in your GameFaqs walkthrough/journal. It can be hard finding time to update it. In fact, you’re not even sure where you found the time to write what’s already there!

I think it makes perfect sense in Homestuck’s world that Rose can write massive walls of text no matter what constraints she’s facing. By questioning Rose’s ability to write this much, this passage is breaking some form of the fourth wall. If I had to choose one form of fourth wall it’s breaking, it would be the second fourth wall. This system of various fourth walls isn’t actually that complicated; the only important parts are the first fourth wall (the media vs. the audience) and the second fourth wall (the kids as playable characters vs. the kids as regular people).

For more rambles: starting in Act 3, I will discuss how villains in Homestuck connect to and break the first fourth wall based on a snippet of Hussie’s book commentary. As for the second fourth wall, Rose’s character is all about screwing with that wall. Now the third fourth wall (the wall between paradox space and Hussiespace), Jade is the only character other than Hussie’s self-insert that’s connected to it at all.

… What’s that look on your face? Are you telling me there’s another character with mind control powers who also messes with multiple fourth walls? One that has a contentious relationship with Hussie’s self-insert (and pretty much everyone for that matter)? Haha, you. Let’s talk about her another time, OK? I’d rather focus on important characters.

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Cookie Fonster Critiques Homestuck Part 5 Rewritten: The Crutch of Cinematic Troglodytes

Introduction

Part 4 | Part 5 | Part 6 >

Act 2, Part 2 of 5

Pages 358-428 (MSPA: 2258-2328)

Link to old version

I was originally going to call this post “Grandmotherly Expositation Station (ft. wizards)”.
Then I was going to call this post “The Motherly Miniboss (who hates wizards)”.
But now I’ve settled on an actually good title. I need to name more posts after Dave lines.

Let’s be real here, the content covered in this post has far more focus on Rose than grandmotherly expositation. And all title pictures prior to this were from scenes focused on John so I wanted to change things up.

Another note: I’ll be referencing the old version of this post quite a bit in this one, because I’ve realized many new things related to what I talked about in that post.

What’s the first thing we see when Rose enters her living room? An enormous wizard statue. I touched upon the kids’ pattern of guardian interests in my rewrite of post 3 and I’ll go over this pattern more as we go along.

Just look at that mystical gaze. To peer into those aloof, glassen eyes is to arrest the curiosity of any mortal. To behold the wisdom concealed in the furrows of that venerable face is to know the ceaseless joys of bewonderment itself. Any man so fortunate as to catch askance his merry twinkle or twitch of whisker shall surely have all his dreams fulfilled.

You find this grisly abomination utterly detestable.

If you read this narration closely enough, it comes across as an inversion of the narration’s ridiculously dark and gloomy descriptions of the Horrorterrors (1, 2, 3). And if you read it that way, at a glance it seems like Rose just loves dark things and hates bright and sunny things. This interpretation isn’t even close to true: as I established at the start of my rewrite of post 4, what Rose has an affinity for is the complex and unknowable, which includes the Horrorterrors just as much as it includes wizards. I like how this passage still makes sense knowing that Rose likes wizards but dislikes the way her mother uses wizards to spite her, which as you know is all in her head; it’s something of a red herring for the story to imply she hates wizards.

Also on this topic, in the old version of this post I was confused about why Rose understood her friends’ inner motives and feelings but not her mother’s love of wizards. I even speculated that her mother formed a void (haha epic classpect speculation) in Rose’s knowledge. I think I know why now: Rose can easily pick apart anything complicated but won’t accept anything simple and straightforward.

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Cookie Fonster Critiques Homestuck Part 4 Rewritten: Haunting Voices and Coolkid Mishaps

Introduction

Part 3 | Part 4 | Part 5 >

Act 2, Part 1 of 5

Pages 248-357 (MSPA: 2148-2257)

Link to old version

Keeping this post’s title the same as before. Couldn’t think of a better one.
Also, just warning you: this post is HUGE.

Before we begin Act 2, I’m going to talk about John, then talk about Rose. It’s a longstanding tradition for me to talk at length about characters when they are first introduced, but it’s a little difficult to do with the first two main characters this early on so I’ll talk about them now instead.

I love John Egbert. Have I ever said that? He is a protagonist done right and is the best character other than Caliborn. In many works of media, the protagonist is the main focus but the one people love the most is a wacky side character or someone else in the main group. But in this comic, none of the other three kids I think have quite the same charm as John. Almost every protagonist of the comic’s story arcs (John, Spades Slick, Karkat, Roxy, Meenah) has a distinct kind of charm to them. In Roxy’s case, she wasn’t the original protagonist of her group, but retroactively became the true protagonist because she was the one that turned out to have the most “protagonist charm”. I relate to John a lot; he is extremely honest and doesn’t believe in anything that’s too weird, confusing, or depressing, whether it be complex romance*, Rose’s interest in dark things, or impending inevitable doom. Naturally enough, John is airheaded a lot of the time, but maybe a bit less than you’d think. If you see him lying about something, usually he’s lying to himself, denying something he doesn’t want to be true.

* His later romantic dynamic with Roxy is not complex at all! Just a girl who is as pure-hearted and silly as he is. If Karkat’s explanation is anything to go by, same goes with Terezi blackways.

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Cookie Fonster Critiques Homestuck Part 3 Rewritten: Immersive Simulation Gone Apocalyptic

Introduction

Part 2 | Part 3 | Part 4 >

Act 1, Part 3 of 3

Pages 138-247 (MSPA: 2038-2147)

Link to old version

Coming up with new names for these posts is pretty fun.
Spoiler: “Down the Chitinous Windhole” will not be renamed.

Welcome aboard to the wonderful, mysterious world of SBURB! Come join as I play the role of a first-time reader, fallen into the trap of confusion that catches many readers of Act 1.

The first thing we see of the game is Rose viewing John’s house, with symbols and icons related to captchalogue cards, seemingly used for moving and adding things to John’s house. “Wait a minute,” the reader thinks, “this isn’t your usual video game.” Is Rose able to edit a digital recreation of John’s house? Or is this a real live camera, able to edit things from afar?

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Cookie Fonster’s Homestuck Commentary Part 73: A Reminisce on Romance Weirdness

Introduction

Part 72 | Part 73 | Part 74 >

Act 6 Intermission 2, Part 2 of 3

Pages 4709-4740 (MSPA: 6609-6640)

NOTE: I’m not going to discuss those aromantic John headcanons because I don’t really care to. Actually no, I changed my mind and discussed such headcanons in this post a few years later.

Picking up from where we left off, Kanaya is about to leave the lab when all of a sudden…

KANAYA: Augh 
KANAYA: Why Does That Always Happen 
KARKAT: EVERYBODY OUT OF THE GODDAMN WAY. 
KARKAT: I GOT A LAB FULL OF HUMANS, A MOUTH FULL OF YELLING, AND A TORTURED PSYCHOLOGICAL PROFILE FULL OF TOTALLY HYSTERICAL EMOTIONS AND UNAIRED GRIEVANCES AT PRACTICALLY EVERYBODY. 
DAVE: karkat is broken guys 

Karkat’s sudden entrance is done via a 2x callback combo, and Dave completely lampshades how bizarre that is.

Karkat and Dave immediately start arguing about stuff and dear god the insults they trade are killing me. Unlike prior cases of characters trading insults (one-sided or not), this scene is just too hilarious to be any sort of setup for character development. Despite that, the comic does a good job developing their dynamic later on; before you think I switched my stance entirely I’m only talking about before the retcon. I have to say I think I’m kind of doing an alright job not moaning too much about stuff.

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