Cookie Fonster Critiques Homestuck Part 7 Rewritten: What Sword?

Introduction / Schedule (outdated)

Part 6 | Part 7 | Part 8 >

Pages 562-665 (MSPA: 2462-2565)

Act 2, Part 4 of 5


Link to old version

Haha… haha… ha ha … ha …….

Dave explores the rest of his living room and here’s where the creepiness factor escalates. It all starts with this moment:

> Dave: Take expensive ninja sword.

What sword?

This page is a shockingly simple way to establish the day-to-day nature of Dave’s home life.

As I said in my first rewritten post, early Homestuck has a habit of revisiting the running gags of the prior adventures and giving them a new context. Every instance of the “what pumpkin?” gag in Homestuck has some broader reason behind it, sometimes involving technology. This instance of the gag is a character establishing moment for Dave’s bro.

When I got these pages in my old posts, I was nothing short of creeped out. Maybe it’s because two pages in a row show Bro flash stepping and moving stuff around, subverting all expectations in the process.

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Cookie Fonster Critiques Homestuck Part 6 Rewritten: Imp Madness and Can Openers

Introduction / Schedule <- outdated

Part 5 | Part 6 | Part 7 >

Act 2, Part 3 of 5

Pages 429-561 (MSPA: 2329-2461)

Link to old version

Again, I don’t have any good ideas for a new post title so I’m using the old one.
I considered “The Can Opener Dilemma” but then I realized that’s just a discount version of the old title.

My week without writing Homestuck posts was pretty nice, now back to business. I worked on some cool projects, but not the ones I originally intended to work on. And read some books. And also wrote this post over the course of one weekend.

Oh God dammit, that’s just what you need. More baked goods.

“thats classic john though he doesnt get pissed about anything except for the absolute dumbest shit” —Dave Strider

Where we left off, John was punched cold in the face by the revelation that he is not going to save the world. This massive twist caused John to go full circle, all the way back to freaking out just because he’s a little overexposed to baked goods. Whenever John has a mental breakdown or is upset by something, he finds something mundane and takes out all his anger on it.

Let’s take a moment to appreciate what Rose is sitting on.
Let’s also take a moment to appreciate Rose in general.

Perhaps you will take this spare moment to contemplate the Nannasprite’s strange tale. 

Yeah, still have no idea how Rose heard every word of Nannasprite’s story just like John did. I guess it’s not an important detail; sprites do whatever the story wants them to.

It may also behoove you to record your thoughts on these developments in your GameFaqs walkthrough/journal. It can be hard finding time to update it. In fact, you’re not even sure where you found the time to write what’s already there!

I think it makes perfect sense in Homestuck’s world that Rose can write massive walls of text no matter what constraints she’s facing. By questioning Rose’s ability to write this much, this passage is breaking some form of the fourth wall. If I had to choose one form of fourth wall it’s breaking, it would be the second fourth wall. This system of various fourth walls isn’t actually that complicated; the only important parts are the first fourth wall (the media vs. the audience) and the second fourth wall (the kids as playable characters vs. the kids as regular people).

For more rambles: starting in Act 3, I will discuss how villains in Homestuck connect to and break the first fourth wall based on a snippet of Hussie’s book commentary. As for the second fourth wall, Rose’s character is all about screwing with that wall. Now the third fourth wall (the wall between paradox space and Hussiespace), Jade is the only character other than Hussie’s self-insert that’s connected to it at all.

… What’s that look on your face? Are you telling me there’s another character with mind control powers who also messes with multiple fourth walls? One that has a contentious relationship with Hussie’s self-insert (and pretty much everyone for that matter)? Haha, you. Let’s talk about her another time, OK? I’d rather focus on important characters.

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Cookie Fonster Critiques Homestuck Part 5 Rewritten: The Crutch of Cinematic Troglodytes

Introduction

Part 4 | Part 5 | Part 6 >

Act 2, Part 2 of 5

Pages 358-428 (MSPA: 2258-2328)

Link to old version

I was originally going to call this post “Grandmotherly Expositation Station (ft. wizards)”.
Then I was going to call this post “The Motherly Miniboss (who hates wizards)”.
But now I’ve settled on an actually good title. I need to name more posts after Dave lines.

Let’s be real here, the content covered in this post has far more focus on Rose than grandmotherly expositation. And all title pictures prior to this were from scenes focused on John so I wanted to change things up.

Another note: I’ll be referencing the old version of this post quite a bit in this one, because I’ve realized many new things related to what I talked about in that post.

What’s the first thing we see when Rose enters her living room? An enormous wizard statue. I touched upon the kids’ pattern of guardian interests in my rewrite of post 3 and I’ll go over this pattern more as we go along.

Just look at that mystical gaze. To peer into those aloof, glassen eyes is to arrest the curiosity of any mortal. To behold the wisdom concealed in the furrows of that venerable face is to know the ceaseless joys of bewonderment itself. Any man so fortunate as to catch askance his merry twinkle or twitch of whisker shall surely have all his dreams fulfilled.

You find this grisly abomination utterly detestable.

If you read this narration closely enough, it comes across as an inversion of the narration’s ridiculously dark and gloomy descriptions of the Horrorterrors (1, 2, 3). And if you read it that way, at a glance it seems like Rose just loves dark things and hates bright and sunny things. This interpretation isn’t even close to true: as I established at the start of my rewrite of post 4, what Rose has an affinity for is the complex and unknowable, which includes the Horrorterrors just as much as it includes wizards. I like how this passage still makes sense knowing that Rose likes wizards but dislikes the way her mother uses wizards to spite her, which as you know is all in her head; it’s something of a red herring for the story to imply she hates wizards.

Also on this topic, in the old version of this post I was confused about why Rose understood her friends’ inner motives and feelings but not her mother’s love of wizards. I even speculated that her mother formed a void (haha epic classpect speculation) in Rose’s knowledge. I think I know why now: Rose can easily pick apart anything complicated but won’t accept anything simple and straightforward.

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Cookie Fonster Critiques Homestuck Part 4 Rewritten: Haunting Voices and Coolkid Mishaps

Introduction

Part 3 | Part 4 | Part 5 >

Act 2, Part 1 of 5

Pages 248-357 (MSPA: 2148-2257)

Link to old version

Keeping this post’s title the same as before. Couldn’t think of a better one.
Also, just warning you: this post is HUGE.

Before we begin Act 2, I’m going to talk about John, then talk about Rose. It’s a longstanding tradition for me to talk at length about characters when they are first introduced, but it’s a little difficult to do with the first two main characters this early on so I’ll talk about them now instead.

I love John Egbert. Have I ever said that? He is a protagonist done right and is the best character other than Caliborn. In many works of media, the protagonist is the main focus but the one people love the most is a wacky side character or someone else in the main group. But in this comic, none of the other three kids I think have quite the same charm as John. Almost every protagonist of the comic’s story arcs (John, Spades Slick, Karkat, Roxy, Meenah) has a distinct kind of charm to them. In Roxy’s case, she wasn’t the original protagonist of her group, but retroactively became the true protagonist because she was the one that turned out to have the most “protagonist charm”. I relate to John a lot; he is extremely honest and doesn’t believe in anything that’s too weird, confusing, or depressing, whether it be complex romance*, Rose’s interest in dark things, or impending inevitable doom. Naturally enough, John is airheaded a lot of the time, but maybe a bit less than you’d think. If you see him lying about something, usually he’s lying to himself, denying something he doesn’t want to be true.

* His later romantic dynamic with Roxy is not complex at all! Just a girl who is as pure-hearted and silly as he is. If Karkat’s explanation is anything to go by, same goes with Terezi blackways.

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Cookie Fonster Critiques Homestuck Part 3 Rewritten: Immersive Simulation Gone Apocalyptic

Introduction

Part 2 | Part 3 | Part 4 >

Act 1, Part 3 of 3

Pages 138-247 (MSPA: 2038-2147)

Link to old version

Coming up with new names for these posts is pretty fun.
Spoiler: “Down the Chitinous Windhole” will not be renamed.

Welcome aboard to the wonderful, mysterious world of SBURB! Come join as I play the role of a first-time reader, fallen into the trap of confusion that catches many readers of Act 1.

The first thing we see of the game is Rose viewing John’s house, with symbols and icons related to captchalogue cards, seemingly used for moving and adding things to John’s house. “Wait a minute,” the reader thinks, “this isn’t your usual video game.” Is Rose able to edit a digital recreation of John’s house? Or is this a real live camera, able to edit things from afar?

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Cookie Fonster Critiques Homestuck Part 2 Rewritten: The Fatherly Miniboss

Introduction

Part 1 | Part 2 | Part 3 >

Act 1, Part 2 of 3

Pages 47-137 (MSPA: 1947-2037)

Link to old version

Most of the title pictures for these rewritten posts are probably going to be the same as the old versions. 
Most of the titles for these rewritten posts are probably not going to be the same as the old versions. 

NOTE: This is still not a restart of my Homestuck post series. I’m only rewriting my first 27 posts to better match them with my current quality standards. Post 83 is planned for late March!

Also, my first 27 posts now list the new homestuck.com page numbers as well as the old MSPA page numbers. Hope I’ll do the rest soon enough.

John leaves his room, and here’s our first impression of his father. A slightly crazy guy that likes comedians, pranks, and clowns. This is where I stop having the impression Hussie just came up with things right off the bat and expanded upon them later; I’m almost certain he always intended for these clowns to become a plot point. Either that, or he decided the harlequin doll was a fun idea to put in the sprite and it naturally progressed into something big from there. I can tell Hussie had too much fun writing the scene with Gamzee where it turned out everything tied together.

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Cookie Fonster Critiques Homestuck Part 1 Rewritten: Bedroom Screwaround Session, Rewritten

Introduction | Part 1 | Part 2 >

Act 1, Part 1 of 3

Pages 1-46 (MSPA: 1901-1946)

NOTE: This is not a restart of my Homestuck post series. It’s just an experiment where I try going through the beginning of the comic in the style of my most recent Homestuck posts. My next Homestuck post (EDIT: that isn’t a rewrite) will continue where I left off at Act 6 Act 3. 

I made this almost a month ago and was originally going to release this alongside some other stuff, but I kind of abandoned the other stuff so enjoy this on its own instead. I feel like it’s in the spirit of the /r/homestuck community reread that’s going on right now.

“Bedroom Screwaround Session, Remastered” is already taken, god damn it.

Homestuck’s starting page… everyone who’s been invested in the comic knows how it goes. “A young man stands in his bedroom. It just so happens that today, the 13th of April, 2009, is this young man’s birthday. Though it was thirteen years ago he was given life, it is only today he will be given a name! What will the name of this young man be?” The beginning of Homestuck builds off the intro of the prior MS Paint Adventures, by introducing a protagonist in a simple setting, but quite a bit more elaborate than prior.

I would go into more detail about this opening page, but the beginning of the comic is kind of hard to talk about without comparing it to later parts so I think I’ll go sparse on commentating on all the useless nonsense. Not to mention that way too many Homestuck analyses similar to this one start strong by dissecting this simple first page and then fall off.

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Homestuck Mini-Post: About John Egbert and Shipping

NOTE: If you’re reading this, my Homestuck post series is back on hiatus until some time before 4/13/2019. Maybe you’re looking for post number 82, my latest post? More information on the pause can be found there.

I purposely scheduled this post a few days later than I actually wrote it, which was pretty much right after I released post 82.

Also I recently updated my post series’ introduction post again!


In the past few days, I’ve been rereading a lot of my old posts about Homestuck. One bad thing about the posts that really sticks out to me is my discussion of romantic relationships and foreshadowing thereof, which I kind of read through gritted teeth.

This is strongest when I reread my discussions of foreshadowing ships involving John Egbert, the comic’s protagonist. I don’t know what I was thinking when I wrote all of that; now, I can definitely say there is no conceivable way John had genuine feelings for Rose or Vriska, nor is it very likely Hussie thought super far in advance to set him up with Roxy*. While it is fun to point out early instances that can be seen as ships that you like, it was incredibly misinformed of me to think of these instances as anything other than John not knowing what he’s talking about, and I kind of hate how biased I was in that regard, while denying anything about some of the more controversial ships. It is painfully obvious he doesn’t understand how romance works until maybe some time before he meets Roxy, and that is only because the comic blatantly sets them up as a pairing.

* Probably a fair bit in advance actually. But definitely nowhere near before any conception of Roxy existed.

The main point is: I take back at least 90% of what I said about things being foreshadowing for ships. Also I fully admit to being guilty of double standards in those posts. Maybe when I make the abridged edition, or deluxe edition, or whatever I want to call it, of my blog posts, I’ll scrub them of this bias. I won’t change the original posts, but instead not have as much bias in the new posts (or webpage? this really hasn’t been thought out yet).

Cookie Fonster’s Homestuck Commentary Part 74: Dawn of the Other Twelve

Introduction

Part 73 | Part 74 | Part 75 >

Act 6 Intermission 2, Part 3 of 3

Pages 4741-4819 (MSPA: 6641-6719)

NOTE: I’m not going to pretend this isn’t just filler text again.

John wakes up in a dream bubble and oh hey it’s another 2x callback combo: to Jake waking up to see Aranea, and to Karkat getting hit in the face by a bucket.

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Cookie Fonster’s Homestuck Commentary Part 73: A Reminisce on Romance Weirdness

Introduction

Part 72 | Part 73 | Part 74 >

Act 6 Intermission 2, Part 2 of 3

Pages 4709-4740 (MSPA: 6609-6640)

NOTE: I’m not going to discuss those aromantic John headcanons because I don’t really care to. Actually no, I changed my mind and discussed such headcanons in this post a few years later.

Picking up from where we left off, Kanaya is about to leave the lab when all of a sudden…

KANAYA: Augh 
KANAYA: Why Does That Always Happen 
KARKAT: EVERYBODY OUT OF THE GODDAMN WAY. 
KARKAT: I GOT A LAB FULL OF HUMANS, A MOUTH FULL OF YELLING, AND A TORTURED PSYCHOLOGICAL PROFILE FULL OF TOTALLY HYSTERICAL EMOTIONS AND UNAIRED GRIEVANCES AT PRACTICALLY EVERYBODY. 
DAVE: karkat is broken guys 

Karkat’s sudden entrance is done via a 2x callback combo, and Dave completely lampshades how bizarre that is.

Karkat and Dave immediately start arguing about stuff and dear god the insults they trade are killing me. Unlike prior cases of characters trading insults (one-sided or not), this scene is just too hilarious to be any sort of setup for character development. Despite that, the comic does a good job developing their dynamic later on; before you think I switched my stance entirely I’m only talking about before the retcon. I have to say I think I’m kind of doing an alright job not moaning too much about stuff.

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