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Cookie Fonster Unearths Eurovision 1988: The Year of Francophone Superstars

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Intro Post

< 1987 Review | 1988 Review | 1989 Review >

Introduction

We’re back to Dublin, Ireland for Eurovision 1988, in the same building as 1981 (the year after last time Johnny Logan won). However, it doesn’t look like the same building at all! It’s dark inside and the stage is surrounded by walls displaying a computer screen, much like 21st century Eurovision. This contest had almost the same lineup as last time, except Cyprus withdrew because their entry broke the rules. If Cyprus hadn’t skipped, we would’ve had the same 22 countries participate four years in a row.

Another way this contest resembles modern Eurovision is that it has multiple presenters. From 1957 to 1987, most contests had one female presenter; from 1988 to 2008, the norm was instead one man and one woman; and from 2009 onwards, most contests had three or four presenters. From this year on, the only solo presenters were in 1993, 1995, and 2013. As for this contest, the presenters introduced it in Irish, French, and English in order. The female presenter’s French has the weirdest Irish accent I’ve ever heard. She overenunciates the R’s and pronounces “bienvenue” as “pianvenue”, with a heavily aspirated P. After the introductions, the presenters made a lot of jokes throughout the show, with a much heavier saturation than the subtle humor of the last few years.

This contest had Switzerland’s second and latest victory, performed by perhaps the second most famous name to come from Eurovision: Celine Dion. Another famous French-speaking singer represented Luxembourg, the legendary Lara Fabian. No French-language song has ever won Eurovision since then. Switzerland beat the UK by only one point, in one of the tensest voting sequences in Eurovision history.

Just like last year, it was very hard to find commentary on this contest because all the uploads on YouTube were blocked. Through extensive research, the only two languages I could find were Greek and Dutch, so I’m gonna settle for Dutch.

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Cookie Fonster Reviews Every MLP Episode Part 77: All Bottled Up

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Introduction / Navigation

< Part 76 | Part 77 | Part 78 >

Season 7, Episode 2

Remember when I said I might write a blog post about GalaCon 2023 (my first pony con)? Well, I ended up making a video about it instead, and released it on the tenth anniversary of when I first watched MLP:FiM. You should watch it if you haven’t! If you like reading my MLP reviews, I promise you’ll enjoy this video too.

I promise I’ll speed up with my MLP reviews for at least the first half of season 7. And yes, it’ll come at the cost of slowing down another post series.

Season 7 Episode 2: All Bottled Up

In five words: Trixie drives Starlight to insanity.

Premise: While Twilight Sparkle and friends are off for a friendship retreat, Starlight Glimmer practices magic with Trixie and gets annoyed with her friend’s careless mishaps. Luckily, she can store all her anger in bottles and ignore it forever… or so she thinks.

Detailed run-through:

This episode begins with a slice of life scene featuring a fan favorite pair of characters, where Starlight Glimmer makes cupcakes for her friends’ trip and Trixie practices magic. When Starlight explains how to do a transfiguration spell and Trixie does it successfully, it first seems like happy fluffy friendship moments…

This scene does shows us that Trixie isn’t quite as reformed as Starlight is, which I admire.
It’s nice that different villains (or villain-ish characters) are reformed at different rates.

… but the moment Trixie hugs Starlight overly tight and makes her spill frosting, the episode’s conflict becomes clear. It’s a similar style of cold opening to Make New Friends but Keep Discord: we see a friendship established a season or two ago, and since we already know they’re friends, it doesn’t take long to introduce their conflict.

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Cookie Fonster’s Journey into Eurovision 1987: An 80’s Fever Dream

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Intro Post

< 1986 Review | 1987 Review | 1988 Review >

Introduction

Hosted in Belgium for the first and only time, Eurovision 1987 had quite a lot of drama behind its production. Two broadcasters had agreed to organize Eurovision together in the event Belgium won: the Dutch-speaking BRT (now called VRT), and the French-speaking RTBF. However, when the time came for them to team up, they were as good at cooperation as a nerd and a jock assigned to do a high school chemistry project. When the French-speaking broadcaster chose Brussels as the host city, the Dutch-speaking broadcaster threw their hands up and left RTBF to organize it alone, while BRT chose the Belgian entry. If you want to see two broadcasters successfully collaborating, you’d have to wait until 2023.

This contest had the largest lineup of countries so far: Greece and Italy returned after skipping last year, making for 22 countries total. All countries that had ever participated in Eurovision were present this year, except Monaco, Malta, and Morocco. This is an intimidatingly long contest, almost as big as a Eurovision final in the current era. The winner was the first person to win Eurovision twice: Johnny Logan, representing Ireland. The postcards are themed upon what comes to most people’s minds when they think of Belgium: Belgian comic strips.

Annoyingly, this is another year where due to one particular song (glares intensively at Spain), you can’t find many commentary uploads on YouTube, and most of them are of terrible quality. So, um, I guess I’m watching it with Swedish commentary this time. The video description contains a link to the full unabridged Swedish commentary in good quality, so I’ll use that. I won’t be able to understand the commentary, but I’ve at least picked up on a few words from Scandinavian languages by reading translations of their Eurovision entries.

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Cookie Fonster Excavates Eurovision 1986: The Youngest Winner Ever

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Intro Post

< 1985 Review | 1986 Review | 1987 Review >

Sorry this review took so long! I went on my big trip of this year (to Germany) a few weeks ago, during which I temporarily lost interest in writing Eurovision posts. Then I made a video about an event I went to during the trip. But now I’m back in the saddle, and hopefully I can balance this project with my MLP reviews (and real life of course).

Introduction

When the historically unlucky Norway finally got to host Eurovision, they went all out and splurged tons of money to make the best show they possibly could. They set up elaborate events throughout the week and invited some of the country’s royal family, a first in Eurovision history. For the presenter, they chose Norway’s 1966 singer famed for her deep, soothing voice: Åse Kleveland. Five Norwegian cities bidded to host the contest, and the winner was Bergen—the northernmost host city in Eurovision history. The easiest way for the record to be broken is if Iceland someday won the contest.

Oh, that’s right! Speaking of Iceland, this contest was the first time they got to participate. They were the last newcomer until the influx of ex-communist countries that began in 1993. Yugoslavia and the Netherlands returned after skipping last year, Greece withdrew after sending an entry, and Italy withdrew without an entry. The winner was both a first timer and record breaker: Belgium with Sandra Kim’s “J’aime la vie”, the youngest winning singer at 13 years old. A controversy surrounding her age almost got her disqualified, as we’ll later learn. However, contestants of any age were still allowed to perform for a few more years. The age limit of 16 wasn’t enforced until 1990.

As for the opening of the contest, the little multilingual song Åse sings is so goofy but so sincere. Her speech afterwards is sincere in the right way too. She says in English that the most important part about international contests is to participate, but it’s undeniable that nothing tastes sweeter than victory. Then she says the same thing in French. She loyally followed the guidelines for presenting the contest but still gave it some of her own personality, which I admire.

The postcard format combines a frequent theme—scenery throughout the host country—with literal postcards, like the kind you’ll send a friend when on vacation. It’s the only contest to take the term “postcard” this literally. Yet again, I watched the contest with Terry Wogan’s British commentary.

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Cookie Fonster Reviews Every MLP Episode Part 76: Celestial Advice

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Introduction / Navigation

< Part 75 | Part 76 | Part 77 >

Season 7, Episode 1

During my trip to Germany (which is where I am as of this post’s publication!), writing a Eurovision review on my downtime somehow didn’t seem fun at all anymore. Those blog posts are fun to write, but the difference between them and my MLP posts is that while I enjoy almost every MLP episode, the Eurovision songs that truly interest me are few and far between. Therefore, it requires a higher degree of boredom for me to write a Eurovision post.

By the way, this trip has been an absolute blast so far, and it will include my very first pony con soon: GalaCon. I might write a bit about it on my blog.

Season 7 Episode 1: Celestial Advice

In five words: Celestia’s side of season 1.

Premise: The only season premiere not to be a two-part episode. During a celebration of Starlight Glimmer and friends’ overthrowing of Queen Chrysalis, Twilight Sparkle doesn’t know what to do next with her pupil and consults her mentor for advice.

Detailed run-through:

I’ve already said it before, but I love Starlight Glimmer so much.
Well OK, most fans who hate Starlight hate the late seasons in general.

Unlike the last three seasons, I’m not going to take my sweet time analyzing the first minute of the premiere, because not much happens in it. Season 7 of My Little Pony: Friendship Is Magic begins with a typical casual Starlight Glimmer/Spike conversation about the upcoming celebration, where Spike desperately hides the gift that Twilight Sparkle is working on. It’s a mirror where Starlight will see herself surrounded by her friends each morning.

However, I am going to analyze in detail the pictures on Twilight’s mirror a minute and a half in, because it has some interesting details.

First off, on the top left, we see a picture of Celestia and Discord. This implies that even though Discord is so… Discord, Twilight Sparkle by now considers him a good friend. Something even more subtly sweet is the picture with Moondancer on the bottom right. It suggests that Twilight has a special attachment to her childhood friends, even the ones she doesn’t see often, which I can easily relate to. Does this mirror have anyone else Twilight considers important to her? We have Cadance, Spike, the rest of the Mane 6, Owlowiscious, and everyone in the group photo. Aside from her relatives and maybe Luna, the list seems complete.

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Cookie Fonster Swoons Over Eurovision 1985: A Dual Veteran Burst of Joy

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Intro Post

< 1984 Review | 1985 Review | 1986 Review >

Introduction

When Sweden gets the chance to host Eurovision, it always comes down to three cities: Stockholm, Gothenburg (Göteborg), and Malmö. Stockholm and Malmö got to host it three times each (including the upcoming 2024 contest), but Gothenburg only in 1985. Greece and Israel returned from last year, but the Netherlands and Yugoslavia skipped, which kept the number of participants at 19 and broke the Netherlands’ perfect attendance.

This contest was hosted by an interesting figure: Lill Lindfors, one of Sweden’s two singers of 1966. She performed one of the strangest Swedish entries in Eurovision, “Nygammal vals”. She also has quite a career in comedy, and we’ll see a lot of her sense of humor throughout this contest, including the most famous thing a Eurovision host ever did on stage. The contest began with way more pleasantries than any year prior: Lill Lindfors first sang a pop song, then introduced Lys Assia (the first winner) as the guest of honor, then went on a lot of tangents before the songs began. Eurovision is truly evolving into modernity!

The winners were also a pair of prior contestants: Hanne Krogh and Elisabeth Andreassen, who gave Norway their surprising first victory. The next two highest were Germany and Sweden, so this was a good year for Germanic countries.

I watched this contest with Austrian commentary by a name whose commentary I’ve watched before: Ernst Grissemann. One thing he does that Terry Wogan doesn’t is that he takes the time to explain the lyrics of every song. Terry Wogan usually just translated the song’s title and made quips about it.

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Cookie Fonster Peeks at Eurovision 1984: The Era of Crazy Presenters

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Intro Post

< 1983 Review | 1984 Review | 1985 Review >

Two days ago, Belgium was the first country to confirm their representative for Eurovision 2024: a singer from Brussels named Mustii. Going by his discography, he’ll probably send a song in English. I’m looking forward to what he’s got in store!

Introduction

Hosted in Luxembourg for the most recent time, Eurovision 1984 had 19 countries participate. Ireland returned after skipping last year, whereas Israel and Greece skipped, due to a national holiday and the broadcaster’s lack of interest respectively. Sweden narrowly won with the first of two Eurovision songs in Swedish. Ireland got second place with a song composed by a prior winner and sung by a future winner.

This contest had the youngest presenter in Eurovision history, at only 19 years old. The presenter’s style is just, oh my god. You have to see it to believe it. She switches back and forth between English, French, German, and Luxembourgish and makes tons of irreverent side remarks, exactly like you’d expect a 19-year-old on TV to do. For people who can only speak one of those languages, this must be like hearing someone from the Philippines alternate between English and Tagalog. I don’t know why this analogy came to mind, but it did. Considering the language mishaps of the last presenter, as well as the next presenter’s famous underwear incident, it’s safe to say we’re in the era of crazy presenters.

The contest begins with a montage of Luxembourg set to an orchestral medley of all five of their winners, plus “L’amour est bleu”, proof that Luxembourg was a Eurovision powerhouse. Oh, how I missed these medleys. As with last time, I watched the contest with British commentary.

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Cookie Fonster’s Sentiments Surrounding Eurovision 1983: Welcome to the Heart of the 80’s

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< 1982 Review | 1983 Review | 1984 Review >

Introduction

Forty years before the publication of this review, Eurovision 1983 was hosted in Munich (München), a city that I have been to! This brought the contest to Germany for the second time out of three. The contest was presented entirely by one person (Marlene Charell) who made sure to say everything in German, English, and French. I admire her multilingualism, but she was infamous for her huge amount of language mishaps, in the presentation and especially the voting. I’m not sure why this contest didn’t have two hosts, like 1978 in France or 1979 in Israel.

France, Greece, and Italy returned after skipping last year, but Ireland skipped out for the first of two times, meaning the contest had a total of 20 participants.

This contest is one of the least talked about of the 1980’s. I’m not sure if the most famous entry is “Si la vie est cadeau” (Luxembourg’s most recent victory), or “Främling” (sung by a future winner from Sweden). It was also the first contest under the 12-point voting system where two entries got zero points: Spain and Turkey. I don’t have high expectations for this year, but that means if I like a good portion of the songs, I’ll be pleasantly surprised.

The intro movie, focused on scenery from German major cities, is the first one whose background music isn’t traditionally orchestral; instead, something partly electronic that you’d hear at the start of an 80’s movie. How’s that for a breath of modernity? The contestants were introduced in something resembling a flag parade, minus the flags, another indication that we’re moving closer to the Eurovision we know today.

I watched this contest with British commentary, which will be my default choice up to at least 1986. Though I may twist things up if I want a break from Terry Wogan. One more fun fact: This was the first Eurovision ever broadcast in Australia, who would get to participate 32 years later.

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Cookie Fonster’s Feelings Over Eurovision 1982: Germany’s Time to Shine!

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Intro Post

< 1981 Review | 1982 Review | 1983 Review >

In a post about a contest that Germany won, there’s no better time to mention that I’ll be in Germany from September 9 to 18! I’m extremely excited about this trip and might write a bit about it on my blog.

Introduction

In the months leading to Eurovision 1982, it seemed like the contest was declining in popularity and prestige. Italy was absent just like last year, and France skipped because their broadcaster TF1 considered Eurovision a “monument to insanity”. This era was rough for Greece too. They withdrew from 1982 and 1986 with a song ready, and 1984 without a song ready, with no transparency or forewarning from their broadcaster. If you’re a pretentious fan who says things like “back in (insert decade before 2000 here), Eurovision was about REAL music”, plenty of people were just as dismissive about the era that you romanticize. You’re just blinded by nostalgia. (Thankfully, France returned in 1983 with a new broadcaster and hasn’t missed a contest since.)

In this sense, you may consider Eurovision 1982 like a party where the two most awaited guests couldn’t make it, and thus the others have to make do without them. It’s also like a party where your friends chose a bizarre location: the small spa town of Harrogate, England. The broadcast of this contest embraced the bizarrity of this choice by putting a “Where is Harrogate?” sketch at the start.

This year was most famous for Germany’s first victory, which was by a landslide. This meant Belgium would be the last of the original seven participants to take the crown. Since this was 17 years before I was born, I would say “I can only imagine what it was like to be German and see your country finally win”, but I actually have a story to tell about it. I’ll tell it when I review Germany’s entry, at the end of this contest.

I wanted to watch this contest with German commentary, but I’m sorry, Ado Schlier’s style of commentary (1980 to 1986) is so boring. So instead, I watched it with Luxembourg’s commentary from a woman named Marylène Bergmann, who was almost 25 years old. Her younger age should provide a fresh perspective on this competition, as well as train my French listening skills. From 1987 to 1991, Germany had a different commentator every year, and that should be more interesting.

Dear god… all this commentator talk made me realize that eventually, there will be a Eurovision commentator younger than me. That’s assuming there isn’t already one, but I didn’t find any from a Wikipedia search. Being 24 years old is weird, guys.

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Cookie Fonster’s Opinions About Eurovision 1981: I Hope You Like Disco

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Intro Post

< 1980 Review | 1981 Review | 1982 Review >

Introduction

Hosted in Dublin, Ireland, Eurovision 1981 had quite a different lineup of countries from last time. First off, the Mediterranean island of Cyprus (aka Greece’s Girlfriend) joined for the first time. No one talks much about Cyprus’s early entries, but their best result (and most iconic entry) is a second place in 2018. Although the island is divided between Greeks and Turks, Cyprus’s entries have only ever come from the Greek half.

Israel returned after skipping last year, and Yugoslavia returned after skipping the last four years. On the other hand, Morocco left never to return again, and Italy skipped the contest for the first time. It wasn’t for political reasons or lack of money—Eurovision just wasn’t very popular in Italy. It was the first of Italy’s several absences in the 1980’s and 1990’s, culminating in a hiatus from 1998 to 2011.

This contest had one of the narrowest victories yet: with their famous band Bucks Fizz, the UK beat Germany by four points. This was the closest Germany had come to tasting victory, but they would take home the prize next time. With the narrow race between the UK and Germany and the many returning contestants, including the winner from 20 years prior, it seems this will be a very interesting year! Because of the winner, I watched the contest with Terry Wogan’s British commentary.

The postcards in this contest were notable because they didn’t just feature the singers of each song: also the composers and writers, exploring Dublin together.

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