Cookie Fonster Sails Across Eurovision 2018 (Final): Elaborate Props and Tight Voting

Intro Post

< 2018 Semfinals | 2018 Final | 2019 Semifinals >

As of the writing, two Swiss cities remain in the running to host Eurovision 2025: Basel with two potential arenas, and Geneva with just one. I’m rooting for Basel because it’s a three hour drive from my grandma’s house in Germany, and thus I’d be more likely to go to next Eurovision if it’s in Basel.


Introduction

In Lisbon, the capital city of Portugal, 26 countries battled on the annual Saturday night to take the prize of Eurovision 2018. It was a tight competition this year, especially among the jury votes where the country on top kept changing. Fortunately, no song came anywhere near zero points this year: on the bottom was Portugal with a still impressive 39 points. Two of the top three are countries we usually don’t see this high. In third place (and first in the jury) came Austria, in second place came a huge fan favorite from Cyprus, and the winner was a more divisive but perhaps more fiercely loved entry from Israel, who took home their fourth victory.

RTP clearly had a lot of fun showcasing their country with this show, but for the opening films they seemed to be on a tight budget—all three nights used the same film. On the other hand, the opening act has an indulgent medley of songs from famous Portuguese artists (including the first proper fado representation in Eurovision!), all sung in Portuguese because this country is too cool for anglophone pop. Then comes a nautical-themed flag parade set to Portuguese DJ music, which is just the most charming thing. As with last year, the host country was introduced last. The postcards are what I would’ve hoped Portugal would do: the artists opening a door to a location in Portugal and performing an activity there. As a soft spot for all things Portuguese, these postcards get my stamp of approval.

I watched the grand final with Finland Swedish commentary, parts of which my friend Liv translated for me. Finland Swedish is intriguing to listen to, because it feels like it’s from a parallel universe where Finnish is a Germanic language. The pronunciation is generally closer to the spelling than in Sweden, it doesn’t do silly things like pronouncing “de” (they) as “dom”* or the singsongy pitch accents, and there’s plenty of words that sound goofy to Swedes, but it’s better to ask a Swedish speaker to explain them. I would nerd about languages more, but that’s not the point of these reviews. These commentators are extremely funny and snooty and I’ll refer to them as the Yle commentators from now on, since that is Finland’s national broadcaster.

* That’s actually a simplified description of something more nuanced, which you can learn about in this video.

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Cookie Fonster Documents Eurovision 2015 (Final): Songs Overly Reliant on Their Messages

Intro Post

< 2015 Semifinals | 2015 Final | 2016 Semifinals >

Sorry this post took so long! My work schedule got abruptly changed and that threw me off for a good few days as I had to reshuffle my daily schedule. But boy is it worth finishing this post. Even if this isn’t the most exciting year, I think you guys will enjoy it!


Introduction

Vienna, Austria had the honor of hosting the largest Eurovision final in history, with a whopping 27 countries—just one less than the 2007 semifinal. The final featured the ten qualifiers from the respective semifinals, the usual Big Five and host, and as a 60th anniversary guest, Australia automatically qualified. Australian fans had the special right to vote in both semifinals this year, just as rest of the world voters have since 2023. Australia’s presence in Eurovision is really funny because fans at first thought it was stupid that the EBU let Australia keep participating, but now they happily welcome the land down under.

Aside from the usual France, Spain, Italy, and Portugal, only three countries didn’t sing in English: Finland, Montenegro, and Romania. Finland didn’t qualify, which means that Montenegro had the only song in the final not in English or a Romance language. I won’t like this lack of linguistic diversity the next few years, but the good news is, 2018 onwards will be refreshing.

The top three this year were reliable power players: Italy third with a characteristic Italian tune, Russia second with a controversial peace anthem, and at the top came Sweden with a name that some Eurovision fans are tired of seeing all the time: Måns Zelmerlöw. The bottom four were all automatic qualifiers: the UK, France, and sharing zero points, Austria and Germany. Knowing these results, I’m surprised the EBU didn’t let the Big Five perform in the semifinals sooner; we saw in 2024 that it benefits them so much. As usual, we’ll see for ourselves whether these poor results are deserved.

I feel like ORF (the host broadcaster) decided to include every single idea of theirs in the opening act this year, which is why it takes a whopping 20 minutes till the first song begins. That is way too long in my opinion. I watched the grand final with British commentary, together with my friend Liv.

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