Tag Archives: surprising winners

Cookie Fonster Re-Scrutinizes Eurovision 1968: The Result That Shocked Europe

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Intro Post

< 1967 Review | 1968 Review | 1969 Review >

This is going to be my last Eurovision blog post before I leave for my trip to Eurovision 2025! When I get home, my plan is to make not just a blog post, but a full-fledged video about how the trip went, then write a pair of blog posts reviewing each song in the contest.

Introduction

Though the United Kingdom had hosted Eurovision twice already, 1968 was their first opportunity to host right after winning, and they were clearly intent on pulling off another win. Eurovision 1968 was hosted in the Royal Albert Hall in London, a concert hall opened in 1871 with a seating capacity of over 5000. It’s an impressively sized audience for its time and there are multiple floors of seats, as you can see in the broadcast. I bet it must have been an unforgettable experience in the arena! The show had the same presenter as the last two British contests, Katie Boyle, and it’s most notable as the first Eurovision contest to be broadcast in color. This means we’ll finally get to see what horrific color choices some contestants have been making. And hopefully a few nice outfits too.

The contest featured the same 17 countries as last year: all the previous participants over the years but no Denmark. The voting system is the same as last year too: each county has ten jurors who vote for one country each, but never their own. In third place came France with a returning winner, in second came the UK with the legendary Cliff Richard, and beating him by one point we have Massiel from Spain. This is the first year where Spain won the contest and the only year where they were the only winner, which means that of the countries that have already won, Spain hasn’t won in the longest. The result came as a shock to Eurovision viewers, even more to Cliff Richard himself, and it led to a bunch of conspiracy theories.

The show begins with an upbeat orchestral reprise of last year’s winner “Puppet on a String”, and as usual I enjoy the arrangement a lot. Then enters Katie Boyle to introduce the show in her usual British fashion, and after just five minutes the songs begin.

The BBC broadcast the contest without commentary this year, but unfortunately we don’t have a copy of the uncommentated broadcast. On YouTube, I could find full commentary from Norway and Sweden in color, Spain in grayscale, and a few snippets of France’s commentary in color. Last time I watched it with Norwegian commentary, so this time I’ll watch with the other commentary viewable in color, which is from Sweden and done by Christina Hansegård. I wonder how much of it I’ll understand? I picked up on a decent amount of the language throughout the middle third of 2024, partly due to my Eurovision trip that year. I think I caught her saying that the contest will be broadcast in color in seven countries, among them Sweden? See, I’m fairly good. The trick is a little something called context clues.

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Cookie Fonster Slogs Through Eurovision 2001: Trying Too Hard to Impress

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Intro Post

< 2000 Review | 2001 Review | 2002 Review >

I won’t start writing my 2002 review until after MAGFest 2024 (January 18-21, I’m leaving on the 17th). This will be my fifth time at MAGFest and after the event, you’ll see content related to it on my YouTube channel!

Introduction

Denmark won Eurovision two oh oh oh,
so now was their second turn to host the show.
Copenhagen was chosen to stage this event,
an agreeable choice without too much dissent.
They chose a stadium capable of housing
a staggering audience of thirty-eight thousand.
Some say they wanted to outdo Sweden,
and indeed, this record still hasn’t been beaten.
That no one’s surpassed it is much for the best,
since the stage looked like merely a blip to most guests.

Austrians, Belgians, Romanians, the Swiss,
Cypriots, Finns, and North Mac had to miss.
Lithuania returned this year, as did Slovenes,
plus Bosnians, Greeks, Poles, and the Portuguese.
Of the new guys that poured in here since ninety-three,
Estonia became the first winner. Yippee!
It was twelve years ago, far too long in fans’ eyes,
when a country last received its first ever prize.
From this contest up until two thousand eight,
the winner would be someone new. Ain’t that great?

Every achievement last year by the Swedes,
the Danes were determined to beat and exceed.
The Swedish hosts may have seemed cheesy last time,
but they’re nothing compared to these hosts’ endless rhymes.
They hosted the song contest in rhyming pairs,
but I think my rhymes are more clever than theirs.
Since I wanted a breather from the BBC,
I watched this contest’s broadcast from RTÉ.
Marty Whelan still comments for Ireland today.
He’s much more respectful than Wogan, I’d say.
Now what are we waiting for? Let’s have some fun
and review Eurovision two thousand and one!

(Phew… this poem was so tough to write. Also, if you’re reading it out loud, stress the third syllable of Copenhagen.)

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Cookie Fonster Swoons Over Eurovision 1985: A Dual Veteran Burst of Joy

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Intro Post

< 1984 Review | 1985 Review | 1986 Review >

Introduction

When Sweden gets the chance to host Eurovision, it always comes down to three cities: Stockholm, Gothenburg (Göteborg), and Malmö. Stockholm and Malmö got to host it three times each (including the upcoming 2024 contest), but Gothenburg only in 1985. Greece and Israel returned from last year, but the Netherlands and Yugoslavia skipped, which kept the number of participants at 19 and broke the Netherlands’ perfect attendance.

This contest was hosted by an interesting figure: Lill Lindfors, one of Sweden’s two singers of 1966. She performed one of the strangest Swedish entries in Eurovision, “Nygammal vals”. She also has quite a career in comedy, and we’ll see a lot of her sense of humor throughout this contest, including the most famous thing a Eurovision host ever did on stage. The contest began with way more pleasantries than any year prior: Lill Lindfors first sang a pop song, then introduced Lys Assia (the first winner) as the guest of honor, then went on a lot of tangents before the songs began. Eurovision is truly evolving into modernity!

The winners were also a pair of prior contestants: Hanne Krogh and Elisabeth Andreassen, who gave Norway their surprising first victory. The next two highest were Germany and Sweden, so this was a good year for Germanic countries.

I watched this contest with Austrian commentary by a name whose commentary I’ve watched before: Ernst Grissemann. One thing he does that Terry Wogan doesn’t is that he takes the time to explain the lyrics of every song. Terry Wogan usually just translated the song’s title and made quips about it.

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Cookie Fonster’s Opinions About Eurovision 1981: I Hope You Like Disco

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Intro Post

< 1980 Review | 1981 Review | 1982 Review >

Introduction

Hosted in Dublin, Ireland, Eurovision 1981 had quite a different lineup of countries from last time. First off, the Mediterranean island of Cyprus (aka Greece’s Girlfriend) joined for the first time. No one talks much about Cyprus’s early entries, but their best result (and most iconic entry) is a second place in 2018. Although the island is divided between Greeks and Turks, Cyprus’s entries have only ever come from the Greek half.

Israel returned after skipping last year, and Yugoslavia returned after skipping the last four years. On the other hand, Morocco left never to return again, and Italy skipped the contest for the first time. It wasn’t for political reasons or lack of money—Eurovision just wasn’t very popular in Italy. It was the first of Italy’s several absences in the 1980’s and 1990’s, culminating in a hiatus from 1998 to 2011.

This contest had one of the narrowest victories yet: with their famous band Bucks Fizz, the UK beat Germany by four points. This was the closest Germany had come to tasting victory, but they would take home the prize next time. With the narrow race between the UK and Germany and the many returning contestants, including the winner from 20 years prior, it seems this will be a very interesting year! Because of the winner, I watched the contest with Terry Wogan’s British commentary.

The postcards in this contest were notable because they didn’t just feature the singers of each song: also the composers and writers, exploring Dublin together.

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