Cookie Fonster’s Eurovision 1992 Commentary: Anglophone Bias to the Extreme

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Introduction

Eurovision 1992 completed the trio of major cities in Sweden by taking place in Malmö, the same city that hosted in 2013 and will host in 2024. It had more participating countries than ever before, at a whopping 23. This included every country that had ever participated, except for Monaco and Morocco… though Yugoslavia wasn’t quite the same country as last year. Slovenia, Croatia, Bosnia and Herzegovina, and (North) Macedonia had all seceded, and the next year, what remained of Yugoslavia was banned from the competition until 2004.

This contest is best known for Johnny Logan’s third victory for Ireland, but this time only as a composer. Just like 1984, Linda Martin sang a composition of Johnny Logan’s, but this time, she won with a power ballad called “Why Me?” Power ballads are going to score highly throughout the 1990’s, so be warned. As the post’s title suggests, this is the first contest where the top three songs were all in English, and that sets another recurring theme of 90’s Eurovision. As more new countries poured into the contest, the juries became more and more biased towards English until the language rule was abolished.

YES, they brought back the orchestral arrangements of last year’s winners at the start! I missed that so much!!! The opening orchestral music transitioned into a jazzy arrangement of “Fångad av en stormvind”, which made me smile. I was expecting the contest to be presented dominantly in English with a bit of French, so I was surprised the hosts spoke this much Swedish. Though if I didn’t know better, I might have mistaken it for Danish because of those guttural R’s.

I wanted a break from Terry Wogan, so I watched the contest with Austrian commentary this time. Ernst Grissemann is by far my favorite of the German-speaking commentators I have heard.

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Cookie Fonster Peeks at Eurovision 1984: The Era of Crazy Presenters

Intro Post

< 1983 Review | 1984 Review | 1985 Review >

Two days ago, Belgium was the first country to confirm their representative for Eurovision 2024: a singer from Brussels named Mustii. Going by his discography, he’ll probably send a song in English. I’m looking forward to what he’s got in store!


Introduction

Hosted in Luxembourg for the most recent time, Eurovision 1984 had 19 countries participate. Ireland returned after skipping last year, whereas Israel and Greece skipped, due to a national holiday and the broadcaster’s lack of interest respectively. Sweden narrowly won with the first of two Eurovision songs in Swedish. Ireland got second place with a song composed by a prior winner and sung by a future winner.

This contest had the youngest presenter in Eurovision history, at only 19 years old. The presenter’s style is just, oh my god. You have to see it to believe it. She switches back and forth between English, French, German, and Luxembourgish and makes tons of irreverent side remarks, exactly like you’d expect a 19-year-old on TV to do. For people who can only speak one of those languages, this must be like hearing someone from the Philippines alternate between English and Tagalog. I don’t know why this analogy came to mind, but it did. Considering the language mishaps of the last presenter, as well as the next presenter’s famous underwear incident, it’s safe to say we’re in the era of crazy presenters.

The contest begins with a montage of Luxembourg set to an orchestral medley of all five of their winners, plus “L’amour est bleu”, proof that Luxembourg was a Eurovision powerhouse. Oh, how I missed these medleys. As with last time, I watched the contest with British commentary.

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