Cookie Fonster Swoons Over Eurovision 1985: A Dual Veteran Burst of Joy

Intro Post

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Introduction

When Sweden gets the chance to host Eurovision, it always comes down to three cities: Stockholm, Gothenburg (Göteborg), and Malmö. Stockholm and Malmö got to host it three times each (including the upcoming 2024 contest), but Gothenburg only in 1985. Greece and Israel returned from last year, but the Netherlands and Yugoslavia skipped, which kept the number of participants at 19 and broke the Netherlands’ perfect attendance.

This contest was hosted by an interesting figure: Lill Lindfors, one of Sweden’s two singers of 1966. She performed one of the strangest Swedish entries in Eurovision, “Nygammal vals”. She also has quite a career in comedy, and we’ll see a lot of her sense of humor throughout this contest, including the most famous thing a Eurovision host ever did on stage. The contest began with way more pleasantries than any year prior: Lill Lindfors first sang a pop song, then introduced Lys Assia (the first winner) as the guest of honor, then went on a lot of tangents before the songs began. Eurovision is truly evolving into modernity!

The winners were also a pair of prior contestants: Hanne Krogh and Elisabeth Andreassen, who gave Norway their surprising first victory. The next two highest were Germany and Sweden, so this was a good year for Germanic countries.

I watched this contest with Austrian commentary by a name whose commentary I’ve watched before: Ernst Grissemann. One thing he does that Terry Wogan doesn’t is that he takes the time to explain the lyrics of every song. Terry Wogan usually just translated the song’s title and made quips about it.

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Cookie Fonster Inspects Eurovision 1978: Two Mischievous Nordic Competitors

Intro Post

< 1977 Review | 1978 Review | 1979 Review >


Introduction

It might surprise you that Eurovision 1978 was the only contest ever hosted in Paris, France. However, French people who are sick of Paris getting all the attention are probably happy about that. This contest brought the number of countries to 20 for the first time—Turkey returned after two absences, and Denmark returned after eleven absences. This means it’s the first contest where Denmark’s entry was broadcast in color. This was also the first contest with two presenters and the first with a male presenter since 1956. The other presenter was female. The purpose of two presenters was so that Denise spoke French while Léon spoke English.

Most importantly, this contest was the first time Israel won. Since we’re talking about Israel, obviously there was controversy. When I read months ago about how Arab broadcasters handled this victory, I got a feel for how different life was, and how much bigger the world seemed, before the Internet. Most Arab countries played commercials during Israel’s entry and cut the contest short when it was clear Israel would win, but Jordan went the extra mile. Their broadcaster pretended there were technical difficulties, then claimed Belgium (the runner-up) won instead. Censoring the real winner would NOT have been possible today!

On the opposite side, this was the first contest with the twelve-point voting system where a song got zero points. This happened to the unluckiest country of 1970’s Eurovision: Norway.

I watched this contest with British commentary, done once again by our good friend Terry Wogan. The postcards were filmed live and feature contestants going up an elevator (or lift, as the Brits call it) to the stage, so they barely counted as postcards.

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