Cookie Fonster Re-Dissects Eurovision 1962: The First Ever Zero Points

Intro Post

< 1961 Review | 1962 Review | 1963 Review >

I should mention that four days ago, I got a ticket to semifinal 2 of Eurovision 2025 in Basel! I chose that because it’s the show Germany will be performing in, and because it has most of my other favorites. I haven’t heard most entries in full just yet, so my opinions could shift. I didn’t choose the final because I already have a cheaper ticket to the public viewing.


Introduction

I’m honestly tempted to skip this year, because I already know it has no songs I love and I’ve reviewed all of them before, so why should I listen to them again? Well OK, I’ve reviewed all Eurovision songs up to 2024, but I haven’t ranked 1962 yet, so I guess I should get that out of the way real quick.

Luxembourg hosted Eurovision for the first of four times (1962, 1966, 1973, 1984), in a ridiculously tiny building called the Villa Louvigny which was the headquarters of their broadcaster CLT. In Luxembourg’s defense, the country didn’t really have any better options back then. They didn’t have a proper theater building until the Grand Théâtre de Luxembourg was opened in 1964, which hosted the third and fourth Luxembourgish contests. For whatever reason, the Grand Théâtre wasn’t chosen to host 1966.

This year is most notable for being the first where a country scored zero points—in fact, four songs got no points this year. It’s no coincidence that this happened the same year the voting system got revamped. Now instead of dividing ten points across different songs, each national jury awarded three, two, and one points to their top three entries. The juries consisted of ten people back then, so I’m not sure how this system handled tiebreakers between the jurors. In any case, this was a really boring voting system, so it’s no wonder the EBU changed it the next year.

All the same sixteen countries as last year competed in 1962, which is a nice number because their flags can be arranged in a square. All of the top three this year were Francophone countries: France first, Monaco second, Luxembourg third. The host is a French TV presenter named Mireille Delannoy, although not much is known about her aside from hosting Eurovision. She did the entire show in French except a few parts of the voting in English.

For the first time, the opening act is an orchestral arrangement of last year’s winner, which is “Nous les amoureux”. I’m salty that Eurovision eventually dropped those reprises in favor the previous winner either rehashing their last song unedited, or singing a weird rearrangement into a new genre.

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Cookie Fonster Dissects Eurovision 1962: A Jury with the Memory of a Goldfish

Intro Post

< 1961 Review | 1962 Review | 1963 Review >


Introduction

Hosted in Luxembourg City, Luxembourg, this edition of Eurovision was remarkably similar to the last one. It had the same 16 countries, marking the first Eurovision with the exact same country lineup as last year, and the votes were again skewed towards late entries. The biggest difference is that the voting system was simplified. This time, the juries gave three, two, and one points to their top three favorite songs respectively. If I was a Eurovision fan back then, I would’ve been a little peeved at this change, but I would understand that it was probably done to speed up the process of tallying votes.

This contest had three singers return from 1960, one of whom also performed in 1958 and 1956. One singer returned from 1959 but for a different country. It looks like this contest will be a similar experience to 1961, except I’ll be listening to Dutch commentary this time.

One more amusing observation: The French-speaking presenter said early on, “Luxembourg, la cœur de l’Europe, va battre ce soir.” (Luxembourg, the heart of Europe, will beat this evening.) Poland’s national selection since 2022 would object to this designation, since its name claims that they’re the heart of Europe. The only explanation is that Europe had a disastrous heart transplant last year.

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