Cookie Fonster’s Viewpoints Regarding Eurovision 2011 (Final): The Most Controversial Winner Since 1991

Intro Post

< 2011 Semifinals | 2011 Final | 2012 Semifinals >

I know I released this post at an odd hour of the day (5 AM in the American east coast), that’s because I woke up in the middle of the night and couldn’t fall asleep. Sleep is for the weak anyway, we all know this. (Actually sleeping is very important, but sometimes my brain refuses to let me fall asleep.)

Also, my post schedule is going to slow down a bit because I started a new job four days ago. Probably for the best, since that means I have more time to deliberate over how I feel about each song.


Introduction

The grand final of Eurovision 2011 (in Düsseldorf, Germany) featured 25 countries: the Big Four we’ve grown to love/hate, Italy for the first time since 1997, and the 20 qualifiers from each semifinal. In third place came Sweden, who got back on their feet after an infamous non-qualification. Italy made a strong comeback with second place, and Azerbaijan had one of the most controversial victories in Eurovision history. Many fans believe Azerbaijan cheated their way to victory, not just because they don’t like the song, also because Azerbaijan has an extensive history of voting scandals.

A few facts I didn’t mention last time: The contest was hosted by German TV presenters Anke Engelke, Judith Rakers, and Stefan Raab, the last of whom composed three German entries for Eurovision and organized the national final that led to Germany’s latest victory. Also, for the first time, the voting countries were deliberately ordered so that the winner wouldn’t be obvious from the start.

I absolutely adore the jazzy rock cover of “Satellite” that Stefan Raab opened the show with, and I love the montage of the football/soccer arena being transformed into a Eurovision arena.. I’m a huge sucker for music covered in a different genre, so this arrangement is totally up my alley. It’s so full of musical creativity! Why can’t we get these kinds of covers every year, instead of the usual unedited song reprises? Maybe I should make a chiptune rendition of “Tattoo” and pester the staff of Eurovision 2024 to use it in their show. If I beg them enough times, I’m sure they’ll say yes. And if they want a chiptune cover of “Cha Cha Cha”, I already have one ready.

I watched the grand final with Graham Norton’s British commentary.

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Cookie Fonster’s Viewpoints Regarding Eurovision 2011 (Semifinals): The Most Boring Year Since 1992

Intro Post

< 2010 Final | 2011 Semifinals | 2011 Final >

Yesterday, Czechia released a revamp of their 2024 entry “Pedestal”. The song has grown on me and the new section makes it feel a lot more complete. Still far from my favorite of the year, but I’d now be happy if it qualifies.


Introduction

As one of the most populous countries in Europe, Germany has a rich assortment of cities that could feasibly host a modern-day Eurovision. Reportedly 23 cities expressed interest at first, then eight publicly declared they’d like to bid, then four officially applied: Berlin, Düsseldorf, Hamburg, and Hannover. Eventually Düsseldorf won the right to host the first Eurovision Song Contest in reunified Germany.

Eurovision 2011 came amazingly close to featuring the entirety of Europe. At a glance, the only gap in the map of participants seems to be the Czech Republic, but a few others are missing: Montenegro, Luxembourg, a few microstates, and Kosovo who probably can’t join Eurovision unless Serbia recognizes their independence. Austria, Hungary, and San Marino all returned after skipping the last one or two years, and most excitingly of all, Italy finally rejoined Eurovision after last participating in 1997. Perhaps Germany’s victory last year convinced Italy that it was worth taking part.

After not doing postcards last time Germany hosted in 1983, it’s refreshing to see some proper German postcards. These postcards are a lovingly crafted tour of places in Germany, and they each end with the contest’s slogan “Feel Your Heart Beat!” written or spoken in each country’s language.

The rules this year were mostly the same, except the Big Four were now the Big Five: the UK, France, Spain, Germany, and Italy. This means that the grand final would consist of 25 countries if a Big Five country won last year, 26 countries otherwise. As with last year, the voting opened shortly before the songs began. We have 18 non-qualifiers to review in this post, and as with last year, Peter Urban’s German commentary to guide us. The first semifinal has a special guest commentator, TV host Steven Gätjen.

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