Cookie Fonster Re-Discusses Eurovision 1960: Storytelling Songs at the Start and End

Intro Post

< 1959 Review | 1960 Review | 1961 Review >

Introduction

This is where the grayscale years start getting repetitive, but since I’m still unemployed and have way too much free time, I’ll prod on. Though it’s possible that if I get a new job soon, I’ll pause round 2 of my Eurovision blog.

Although the Netherlands won Eurovision 1959, their broadcaster NTS declined to host 1960, probably because they were short on money. So instead, the runner-up nation the United Kingdom had the honor of hosting. The BBC hosted Eurovision for the first of nine times, in London for the first of four times, and presented by Catherine “Katie” Boyle for the first of four times. She holds the record of presenting the most Eurovision contests, followed by Petra Mede three times and Jacqueline Joubert twice. Katie Boyle speaks in perfect Received Pronunciation, an accent that comes off as laughably posh today, but back then was seen as prestigious and educated.

Luxembourg returned to Eurovision this year after skipping 1959, and Norway made their debut, so this contest has a total of 13 participating countries.

To open the show, Katie Boyle introduces every contestant by saying “good evening, (country)” in English and each country’s national language, then “welcome, (contestant)”. The introduction isn’t quite as glamorous as what France did last year, but I like watching each contestant introduced one by one anyway. It’s a shame Eurovision didn’t start doing that consistently until 2013.

This contest has two countries’ commentary archived: the Norwegian commentary by Erik Diesen, and the British commentary by David Jacobs. Last time I watched the NRK commentary because that was the only archive I was aware of; this time I’ll watch the BBC commentary. David Jacobs is a confident, entertaining commentator whose commentating style is extremely British, and I mean that in a good way. He said the stage is “a blaze of blue, red, and gold”, which sounds absolutely lovely and makes me wish we could’ve seen this contest in color.

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Cookie Fonster Discusses Eurovision 1960: New Decade, Same Old-Timey Spirit

Intro Post

< 1959 Review | 1960 Review | 1961 Review >

So far, I’ve published a Eurovision review every other day, but the next one might break the pattern. This is because I’ve started having more to say about every song, and the number of songs has increased. And because I’m soon to start a piano teaching side job at a music store.


Introduction

If a country wins Eurovision multiple times in short succession, they often get hesitant to host it again. This happened with Eurovision 1960: the Netherlands declined hosting again due to expense, so the good old dependable BBC filled in, hosting in London, England. In all but one case, the UK swooped in to host an unwilling or unable country. In fact, of the nine times the UK has hosted Eurovision, five were in place of a different winner.

Luxembourg rejoined this Eurovision, and Norway joined for the first time, making a total of 13 countries. To this day, Norway is a Eurovision mainstay that has only missed two Eurovisions, and they have a respectable three victories. However, Luxembourg was a bigger Eurovision powerhouse in the 60’s to 80’s, with an impressive five wins. The winner of this contest repeated history: just like two years ago, France won a year after the Netherlands. By then, a lot of fans must have wished other countries could get a chance. They’d get their wish soon enough.

This was the first Eurovision where jury members got to hear songs in advance, specifically in the rehearsals. I presume it made them more set on winners once it was voting time.

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