Cookie Fonster Annotates Eurovision 1991: Possibly the Most Controversial Year

Intro Post

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Introduction

Here’s something that I think is important when picking Eurovision hosts: they should be properly fluent in multiple languages. There’s a difference between being able to speak a language and being fluent in it. For instance, I would say that I am fluent in English and German, whereas I can speak French but am not fluent in it. Lill Lindfors (1985) and Åse Kleveland (1986) both did a fantastic job presenting in multiple languages—Lill in six to my memory, Åse only in two.

Unfortunately, RAI (the Italian broadcaster) seemed more interested in showing off their winners than picking qualified presenters. They chose both of Italy’s previous winners: Gigliola Cinquetti and Toto Cutugno. They presented the contest almost entirely in Italian and when they had to speak other languages, they were very clumsy and stilted. They even put as much Italian as they could into the voting, even though the votes could only be given in English or French.

This isn’t the only way the contest reeked of self-indulgence. Both presenters sang their winning songs at the start* and the postcards featured each contestant singing an Italian song. I actually like that the postcards focus on the country’s music rather than scenery, but they were still overly eager to showcase Italy.

I’ll keep the rest brief, or else this introduction would go on way too long. Host city: Rome, Italy (was originally going to be Sanremo). Country count: 22. Returning country: Malta, because the Netherlands skipped. Winner: Sweden, although France tied numerically. Commentary: British.** Voting mishaps: Tons. Presenting mishaps: Plenty. Controversies caused by the winner: You bet.

* The duet rendition of “Non ho l’età” is actually rather nice.

** The only upload of British commentary I could find was on archive.org and stretched to a 16:9 aspect ratio, which drives me crazy. So crazy, in fact, that I made my own video file putting the British audio over unstretched footage of the Belgian Dutch commentary. It took hours to export.

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Cookie Fonster’s Sentiments Surrounding Eurovision 1983: Welcome to the Heart of the 80’s

Intro Post

< 1982 Review | 1983 Review | 1984 Review >

Introduction

Forty years before the publication of this review, Eurovision 1983 was hosted in Munich (München), a city that I have been to! This brought the contest to Germany for the second time out of three. The contest was presented entirely by one person (Marlene Charell) who made sure to say everything in German, English, and French. I admire her multilingualism, but she was infamous for her huge amount of language mishaps, in the presentation and especially the voting. I’m not sure why this contest didn’t have two hosts, like 1978 in France or 1979 in Israel.

France, Greece, and Italy returned after skipping last year, but Ireland skipped out for the first of two times, meaning the contest had a total of 20 participants.

This contest is one of the least talked about of the 1980’s. I’m not sure if the most famous entry is “Si la vie est cadeau” (Luxembourg’s most recent victory), or “Främling” (sung by a future winner from Sweden). It was also the first contest under the 12-point voting system where two entries got zero points: Spain and Turkey. I don’t have high expectations for this year, but that means if I like a good portion of the songs, I’ll be pleasantly surprised.

The intro movie, focused on scenery from German major cities, is the first one whose background music isn’t traditionally orchestral; instead, something partly electronic that you’d hear at the start of an 80’s movie. How’s that for a breath of modernity? The contestants were introduced in something resembling a flag parade, minus the flags, another indication that we’re moving closer to the Eurovision we know today.

I watched this contest with British commentary, which will be my default choice up to at least 1986. Though I may twist things up if I want a break from Terry Wogan. One more fun fact: This was the first Eurovision ever broadcast in Australia, who would get to participate 32 years later.

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