Introducing my Eurovision blog post series!

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After having finished a huge blog post series analyzing Homestuck, and soon to finish season 6 in a blog post series reviewing My Little Pony: Friendship Is Magic, I’m going to start my third large-scale blog post series: reviews of every song in the Eurovision Song Contest, year by year. Basically, it’s an annual contest where a variety of mostly European countries each send a song to perform live, hosted in whichever country won last year—2023 is an exception due to the war in Ukraine. The contest is filled with controversy and drama, but it has an enthusiastic fandom that embraces all the absurdity.

But why would I, an American who barely even heard of Eurovision until last year, do such a thing?

Because I think it’ll be fun. Every Eurovision fan outside of Europe, kind-of-maybe-European countries, Israel, and Australia has a different story for how they got into it, and I got interested through music mashups. After a certain YouTube channel released a lot of mashups on the day of Eurovision finals last year, I went on tons of Wikipedia and later YouTube spirals about the contest because I have heard so many crazy things about it. It turns out this song contest, dating back to 1956, is an absolute rabbit hole! It has everything from spectacularly creative bangers to the dullest pop music of the time period. Everything from serious, heartfelt ballads to indescribably goofy dance songs that you’ll only hear in Eurovision. I also find it super interesting how the languages used have evolved over time and per country, so the contest perks up my inner language nerd.

In addition, despite living in the United States all my life, the contest has a mainstay country that I can call mine: Germany. It’s where my mother was born and raised, I can speak their language well, and I even own a German passport. In the contest, Germany has had an extremely mixed track record and only two victories, but they’ve loyally participated since the beginning. (Also, why haven’t they sung in German since 2007?! It’s the most spoken native language in Europe behind Russian, for crying out loud.)

After we find out the winner of the 2023 contest next week—my top picks are Finland, Slovenia, and Germany, but my honest prediction is Sweden—I’ll get right to it and review each song in the 1956 contest! I won’t have a consistent schedule, but the posts should come quickly at first. Knowing how my prior post series have gone, it’s safe to say my Eurovision posts will start off short and simple but gradually get overwhelmingly detailed, and I’ll eventually wish my early posts were more thorough and resist the urge to remake them. I also predict that my Eurovision post series will go through lots of pauses and take a year at least. Once I’m caught up with the present, I’m not sure if I want to review every contest annually from here on out. We’ll see what happens!

Here are two other Eurovision blog post series worth checking out: one by Erica Dakin, which is focused on the songs like mine, and one sadly deleted called Eurovision Scoreboards, which is focused more on the contests’ presentation and history.

And here are some archives of Eurovision contests commentated: a series of Google Slides by Ivan Alexander for 2000 onwards, and a spreadsheet by me with all German-language commentary I could find.

Yearly reviews (round 1)

Yearly reviews (round 2) (will cover 1956 to 2019)

Bonus posts

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